Italy, Early XX Century

Pair of gilded bronze floor lamps, with four lights, in the upper part there is a chain with ring which originally must have contained a glass holder which is currently missing.

Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.

Italy, XX Century

Pair of baroque bedside tables supported by curl-carved feet, with a door on the front; open compartment and wavy uprights that support a marble shelf.

Italy, Early XIX Century

Pair of empire chairs supported by legs of which the front ones are truncated pyramid-shaped and the rear ones saber-shaped, the open backrest is carved with winged dolphin motifs and gilded; in walnut, the cane seat has been redone; they have restorations

Verona Late 18th century

Neoclassical desk supported by truncated pyramidal legs with a rosette carved connection nut, on the sides it has two doors surmounted by as many drawers and another drawer in the band, above the central compartment, surmounted by a drawer. In walnut, the interiors are in spruce, it is adorned with maple threads. It features restorations and replacements.

Table lamp, adjustable via flexible part and enamelled metal.

Italy, Late XIX Century

Charles X close-stool commode in walnut, Italy second quarter of the 19th century. Open backrest with shaped folder, curled armrests, seat with removable cushion concealing commode compartment, also removable. Frontal grissinato band, wavy front legs, saber rear legs.

Chairs in ash wood, foam padding, original period fabric covering. Lack of a wand on the frame of a chair.

Austria, 1960s

Ice effect solid glass vase. Manufacture mark under the base.

Italy, Mid XX Century

Table lamp with polychrome murrine glass base. Circular fabric lampshade.

Italy, Late XIX Century

White and gold porcelain figurine depicting the allegory of summer. Manufacture mark under the base.

UK Size 12

Soprani jacket dating back to the 80s in linen with three-quarter sleeves, black exterior and sand interior. The fit is soft and adapts accordingly to different sizes: the length measures 75 cm, waist 106 cm, shoulders 44 cm. Very good condition.

One Size

Haute couture dress in cream-colored pure silk, embroidered with ton sur ton flowers, dating back to around the 1970s. Long fringes embellish the sleeves and hem of the dress. It can be considered a one size fits all: length 110 cm plus fringes, width 120 cm, shoulders 45 cm.

Northern Italy, Early XIX Century

Majolica bowl decorated in monochrome green in calligraphic style with landscapes, trees, birds and stylized characters.

18th Century / 1701 - 1800

Baroque drop-leaf secretaire of Tuscan production supported by curved legs; the inferior band is moulded both on the front and on the sides; it has two drawers surmounted by a folding door that hides a compartment with shelf and drawers. Veneered in olive tree with ebonized threads. The internal writing surface is finished with the same motives; inside in silver fir and poplar. The cabinet has sockets with enameled medallions representing landscapes; the vents are a later addition.

18th Century / 1701 - 1800

Two-bodied Neoclassical cupboard from Friuli, supported by truncated pyramidal feet tightened in the upper part by a collar, on the front there are two doors, two small doors on the half moon shaped sides. The shelf rests on a single-axis walnut top, supported by truncated pyramidal feet as well, with connecting nuts carved with rosettes; in the lower band there is a row of small drawers, surmounted by two doors with glass in the middle and as many doors placed on the sides at 45°. In walnut and amaranth with maple threading, the interiors are in spruce.

Mixed technique (pencil, pen, brown ink and white chalk) on paper. Italian school of the early 19th century. The scene represents the meeting between a high priest and a leader: if he is followed by his entire army, with grim and armed soldiers of different ranks, the priest is followed by all the people who praise the winner, while two young women on their knees they offer wreaths of flowers. Behind the scene, the mighty walls with the entrance door to a city, towards which the priest points, almost as if handing it over to the leader. The priest's clothing, in particular the presence of the so-called "Decision" breastplate that he wears, refers to an Israelite priest, and therefore the city could be Jerusalem; instead the clothing of the victorious leader, with the helmet surmounted by two horses, refers to Alexander the Great, who actually conquered the city in 332 BC. The drawing is presented in a carved wooden frame from the late 19th century.

Italy, XIX Century

Pair of envelope holder columns made of truncated antique green marble, with a molded white Carrara marble base.

Oil painting on canvas. The large scene depicts Mary, already Assumption into heaven and supported on the clouds by little angels, receiving the Crown from the Holy Trinity. This coronation expresses the apotheosis of Mary, who by becoming "Queen of Heaven" becomes the intermediary between the earth, Humanity, and Heaven, the Divinity: what is not given to man to see becomes possible through Mary who in this glorification is more than ever the tenacious thread that binds us to the Almighty, the true "gate of heaven", as it is defined by the Fathers of the Church. Restored and relined, the painting is presented in an early 20th century frame.

Italy, Late XIX Century

Table supported by lacquered truncated pyramidal legs, in the under-top band there is a drawer with fir interiors; cherry top.