Emilia Romagna, Early XVIII Century

Baroque sideboard in elm, Emilia, early 18th century. Front with three drawers in the band and pair of doors. Decorated with walnut frames and tiles and with metal studs, the latter partly added later. Restorations.

Florence, Early XVIII Century

Large baroque coat of arms enclosed within a crumpled box, made of poplar painted in polychrome and partially gilded, Florence, early 18th century. The crumpled piece is characterized by a symmetrical design composed of volutes of strong architectural style and is surmounted by a mask placed within leafy elements in the form of wings, while in the lower section it presents a laurel festoon which, developing from the sides, ends up serve as a background. Lambrecchini, bows with galls and a rosette-shaped button further adorn the crumpled. In the centre, placed within a shield composed of curls, stands the insignia of the Pasqui family ("D'azzurro, alla faith di complexion, [...], surmounted by an eight-pointed gold star"), flanked by a red and gold bandit. Gold is used both to create some of the decorations and to define the profile of curls and volutes, helping to give the coat of arms a three-dimensional perspective effect (trompe-l'oeil). Restorations and touch-ups in color. The Pasqui family is a very ancient family of Tuscan origins, which since 1200 has figured in the roles of the Santo Spirito district of Florence, where it had a stable residence until 1300. It was also ascribed to Florentine citizenship in 1606.

Oil painting on canvas. The painting tells the biblical episode narrated in the book of Exodus in which Hagar and her little son Ishmael that the slave had given birth to by Abraham, driven out of the patriarch's house due to the jealousy of his wife Sarah, find themselves in the desert of Beersheba without water: God sends them an angel who helps them by pointing the woman to a well of water. The scene is set in a Nordic landscape, anything but desert, but it is the figures that narrate the episode, standing out at the center of the scene in melodramatic poses. Restored and relined, the painting is presented in a late 19th-early 20th century frame.

Italy, Late XIX Century

Umbertino mirror with golden frame, the cymatium is carved with leaf motifs and a central vase element.

Mid XVIII Century

Baroque walnut chest, Italy, mid-18th century. Tripartite front, decorated with rocaille style carvings and curls placed within reserves, uprights with forty-five degree pilasters carved in a curl. Restorations.

France, Late XIX Century

Grand piano marked "Pleyel Wolff & Co.", an important and ancient French manufacturer of pianos, organs and harpsichords; supported by turned uprights, the pedal board is instead carved with a lyre motif. The correct functioning of the mechanical part is not guaranteed.

Italy, XX Century

Pair of shelves made of carved, gilded and lacquered wood, Italy, 20th century. Marbled shaped tops. Decorated with lambrequin carvings, rosettes, spheres and curls.

Vintage trolley made in the 1960s in brass and wood covered in blue cloth.

Ceiling lamp, metal, brass and glass.

Italy, XX Century

Dresser in Lombard Baroque style, walnut veneer and walnut root, 20th century Italy. Shaped top in breccia marble, front with three drawers. Decorated with gilded bronze shoes and handles and maple inlays. In the upper part there is a wooden mirror carved with curls and leafy and gilded elements.

68 x 47 In

Jorun wool carpet, large knot. Handmade.

Italy, 1970s

Bronze sculpture depicting a horse. Author's signature included.

77 x 48 In

Malayer carpet in cotton and wool, large knot; manual manufacturing.

Italy, XX Century

Neoclassical style living room composed of a sofa, armchair and three chairs, made of lacquered wood decorated with golden profiles, 20th century Italy. Open backrests with perforated panel, cane seats. Sofa and armchair are equipped with removable cushion. The seat of a chair needs restoration.

Oil painting on canvas. Portrait of a prelate, flanked by the Scolopi coat of arms, which bears the crowned monogram of Mary and the Greek letters MP and ΘY (abbreviations for Mother of God): in his hand he holds a papal bull with the seal of Pope Clement XI (1649 -1721 ) which bears the writing "Clemens Episcopus Servus Servorum Dei ad perpetuam rei memoriam", the pontifical wording in perennial memory of a fact, which the Holy Father validates or says. The relined and restored work is presented in a period frame.