France, Mid XX Century

Bronze sculpture depicting a Setter dog. Posthumous copy of the work attributed to the sculptor PJ Mene.

UK Size 6,5

Gucci two-tone white and blue shoes, worn very little. The size indicated is 39.5; but they fit today's 39.

China, Last Quarter XX Century

Pair of porcelain table lamps decorated with plant and animal motifs on a black background. Fabric lampshade.

Italy, XX Century

Restoration style chandelier in gilt bronze, 16 lights.

Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.

Italy, Late XIX Century

Umbertine chest of drawers with a broken front with four drawers framed between uprights carved with leaf and plant motifs and a pair of female busts; marble top.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

Italy, Late XIX Century

Pair of baroque style chairs, supported by wavy legs; they are carved with rocaille-style leaf motifs, lacquered and partially gilded. Padded shaped seat and backrest.

Italy, XX Century

Large chandelier with metal structure, richly adorned with crystal pendants and necklaces; It features three stages each with 18 lights, with glass booths.

18th Century / 1701 - 1800

Brass alidade for a praetorian tablet, consisting of a flat rod, called a ruler, at the ends of which two pinnules with a pin for locking are hinged. Contained in an original leather and suede case on the inside.

Oil on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a young man in arms, accompanied by his mother, who supports his plea. The setting is inside the reception hall of the high prelate, presumably in the bishop's palace, which from the loggia in the background overlooks the Cathedral, whose dome can be glimpsed; the bishop is surrounded by his subordinates and guards, while different people of the people attend. Particular is the presence of the man sitting in the foreground on the left, who looks towards the viewer and points to the scene, as if he were telling it. The atmosphere is played on the contrasts between lights and shadows, between the bright colors of the dominant characters compared to the dull and suffused tones of the surrounding figures, who literally tend to disappear into the shadows at the limits of the scene. The work is part of that large nineteenth-century production that drew on the historical or literary subject, re-proposing it in a romantic key. The painting, restored and relined, is presented in an important frame from the second half of the 19th century, with some shortcomings.

Ceiling lamp, blown glass.

Italy, 1930s

Clear glass vase. Glass fish-shaped lid grip with gold inclusions.

Evening bag embroidered entirely with glass beads, in perfect condition. The golden chain is removable, transforming the clutch bag into a shoulder bag.

Ceiling lamp; enameled metal, glass.

N. 8

Nude leather sandals with woven pattern and back zip fastening. Heel height: 12 cm. The article has never been worn, as can be seen from the sole and the heel, it has only a slight defect which consists in the lack of a loop in the left shoe.

Big parchment trunk with gilded brass corners and dark leather finishings; the inside has a soft fabric lid. It is a trunk of a good quality made by an anonymous autor

Beautiful bag in hand, from the trapezoid shape, in python skin clear. Accompany the bag and the small wallet, coin purse and mirror.