Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.

Pure silk scarf by Hermes, 43X43 cm, designed by Henri d'Origny and produced for the first time in 1974, still in production today in the 90x90 version. Spurs, stirrups, rein buckles and whips are depicted in gold on a white background and blue frame.

57 x 42 In

Senneh carpet in cotton and wool, fine knot. Manual manufacturing.

Germany, Mid XX Century

White porcelain amphora vase with handles in the shape of fantastic animals and leaf volutes. Workmanship mark under the base.

"Arona" series armchair designed by Afra and Tobia Scarpa for a 1970s Maxalto production. Seat that is in excellent original condition, with wooden structure and stratifications in different essences, seat and backrest with foam padding and fabric covering of the period.

Coffee table of Italian manufacture in wood with double top, restored in our workshops.

Italy, XX Century

Balustrade in style with uprights in the shape of powerful columns carved with baroque motifs, partially lacquered and gilded; central part in wrought iron.

Italy, 1940s

Brass chandelier, with large opaline glass light; 6 arms branch out from the structure to support the same number of lights, with glass bobeches.

103 x 75 In

Bukhara carpet in cotton and wool, fine knot, manual production.

Italy, XX Century

Mirror in embossed sheet metal worked with leaf and curl motifs in Baroque style.

Italy, Early XX Century

6-light chandelier, in golden metal with carved and golden glass inserts, adorned with glass necklaces and glass and colored glass pendants.

Italy, Early XVIII Century

Baroque chest of drawers supported by bracket feet, on the front it has 4 drawers; in walnut, the front has briar reserves and threads in maple and darkened wood essence, interiors in fir and poplar. The top was replaced with recycled antique wood.

Small vintage sideboard with hinged doors and four drawers; brass handles.

Coffee table veneered in exotic wood; traces of a label showing the origin and year of manufacture.

Female Nude

Sanguine on paper. signed lower right. Celada, who loved to paint women both in portraiture and in his figure studies, proposes a female body, firm and classicizing both in forms and in references to the painting of the past. Celada';s painting is capable of blocking in time and space reality, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. The work is presented in a frame.

Sweden, Mid XX Century

Bevelled crystal centrepiece. Manufacturer's mark and model number engraved under the base.

Tuscany Early XVIII Century

Baroque cantarano in walnut and walnut slab, Tuscany, early 18th century. Shaped top, uprights at 45° with architectural pilasters and applied festoons in carved and gilded wood. Front with 4 drawers, one of which in the band, non-coeval turned feet. Poplar interior. Small restorations; small defects in the carving of the pilasters.

England, Late XIX Century

Neo-Gothic library ladder, the first shelf can be opened to hide the internal compartment, on the upper part there is a drawstring door and an under-counter drawer; on the side there is a door. In mahogany, it is adorned with neo-Gothic carvings; there are several shortcomings.

Italy, 1950s

Ceramic sculpture depicting female nude. Signature of the author on the lower back.

Italy, Late XIX Century

Candelabra with structure covered in embossed sheet metal and worked with vase and leaf motifs of eclectic taste; burgundy velvet inserts added later, also included in the lampshade.