France, Early XX Century

French ceramic plate. Polychrome decoration with stylized flower motif in the cord and on the brim.

Size 18

Blue fabric jacket with aviation vertical stripes. Single-breasted three-button fastening, four front pockets. Lined interior with three additional pockets. Sleeve shortening is reported. Sleeve length: 60 cm.

Provence Late 19th Century

Beech cradle supported by moving feet connected by crosspieces, the basket is delimited by turned elements, is equipped with a pole ending with a swan's head, used to fix the fabric curtain.

Tempera and oil on panel. Venetian-Cretan school of the 17th-18th century. The term Venetian-Cretan School (or Creto-Venetian) indicates an important pictorial school, also known as the Post-Byzantine school, a movement that flourished on the island of Crete under the control of the Serenissima of Venice between 1204 and 1669. Thanks to the political situation, particularly after the fall of Constantinople, Crete became the main Christian artistic center of Greek origin from the fifteenth to the seventeenth century. In this environment a particular pictorial style developed which was marked by tradition and movements of both Byzantine and Latin origin. In particular, given the important demand for Byzantine icons in Europe, the island soon became a center of production of these works of art. The style of the Byzantine icon is found in this work, which proposes a subject widely re-proposed in art, namely the Adoration of the Shepherds at the birth of Jesus: the figures of the Holy Family and the Shepherds are strongly attributable to the traditional Byzantine iconographic representation , but they are placed in a more Latin landscape, which opens wide, with a depth of perspective that refers to seventeenth-century European landscape painting, without the traditional gold background but with chromatic choices that still recall the divine golden light, in particular where an angel announcing the Glory of God looks out from the open heavens. The painting has a detachment of the paint in the central part, corresponding to a previous restoration, which requires further recovery. On the back of the plate there is a sealing wax stamp. The painting is presented in an antique wooden frame.

Italy, XIX Century

Chest built with wood dating back to the 17th century. Top and sides made of painted wood, frame under the top and richly carved and gilded front depicting putti in the central reserve and faces within the lateral reserves. Italy 17th century

Italy, Early XX Century

Art Nouveau cupboard supported by shelf-shaped feet, on the front it has a pair of doors, a compartment accessible through two sliding doors with blown glass and a pair of drawers in the band; a stand with shelf and mirror rests on the built-in marble top. In mahogany, the sideboard is adorned with characteristic Liberty-style floral carvings; fir interior.

Foldable wooden coat hanger inspired by the ancient Chinese game, with an opening-closing mechanism made with a steel washer. Winner of the Compasso d'Oro award in 1979.

Early XVIII Century

Pair of baroque chairs with shaped backs and padded seats upholstered in leather, Umbria, early 18th century. Walnut structure, crosspieces and spool front legs. A coat of arms is painted in the center of the backrests, which seems to correspond to the coat of arms of the Fedeli family of Spoleto, portraying a dressed faith (in heraldry the faith indicates two hands shaking) with a six-pointed gold star at the top. The leather covering of one seat was replaced in the 19th century.

First Fourth XIXth Century

Empire frame, the edge is carved with successive leaves, it is entirely gilded; presented with "Napoléon" print.

Tuscany, Early XIX Century

Empire Cheval Mirror of Tuscan production supported by characteristic feet ending with ebonized and gilded floral corolla elements, connected by a turned crosspiece also ebonized and gilded. Ebonized column uprights with gilded capitals supporting the cymatium and framing the mercury mirror with tilting movement. In walnut.

Italy, Early XX Century

Empire style hot air balloon chandelier with central light, Italy, early 20th century. Structure in golden sheet metal decorated with fretwork composed of rosettes. Glass necklaces and pendants.

Wall coat hanger in enamelled metal, teak wood slats.

Italy, XX Century

Bust column in serpentine green marble.

Italy, Early XX Century

Rococo style white ceramic shelf with small flowers in relief, bows and ribbons.

Size 14

Elegant suit consisting of jacket and skirt in black and brown striped fabric. The jacket has a single-breasted fastening with two buttons, two pockets and is characterized by embossed stitching details on the fabric. Straight cut skirt with pleats and back slit.