Courtship Scene 1887

Oil on canvas. Signed and dated lower right, with additional inscription "Baden" (place?). The scene shows a young couple in 18th-century folk clothes, sitting on a bench under a flowering tree, along a country path: the boy is making the girl try playing the recorder, a nice courtship device. There are no biographical information about the artist, who is of German origin by name and place indicated. The painting is presented in a period frame.

Italy, XX Century

Chinoiserie style drop-leaf desk in lacquered, painted and gilded wood, Italy 20th century. Decorated on the front and sides with scenes of daily life and floral elements of oriental taste. Front with drop-leaf door concealing a cabinet and a pair of drawers. Walnut interior.

Italy Early 1900s

Commonly used ceramic serving plate with stylized flower and leaf decoration. Manufacturer's mark under the base.

France First Half 19th Century

Polychrome majolica box with lid decorated with vegetal racemes in shades of green and pink. Feral-shaped feet.

Italy, Late XIX Century

Louis Philippe sofa in mahogany, supported by wavy feet; the backrest is divided into three parts, lined with capitonné and partially carved with characteristic curl motifs.

Italy, Late XIX - Early XX Century

Pair of chairs veneered in exotic wood and upholstered with animalier fabric, Italy late 19th-early 20th century. Turned and carved front legs, upholstered backs and seats.

Italy, XX Century

Style bench with large seat and monumental backrest; it is carved with foliaceous frets and two fake pilasters on the sides of the backrest, it is entirely lacquered and painted with floral festoons and is adorned with golden inserts. Present removable cushion.

Italy Late 19th – Early 20th Century

Model of a piece of furniture in cypress and beech wood carved in imitation bamboo. Door with mercury mirror from an earlier period.

Italy Late 19th Century

Pair of figurines in fine Capodimonte porcelain, hand-decorated, excellent quality and workmanship. Manufacturer's mark under the base.

Pastels on paper. At the bottom right there is a signature attributable to Andrea Favero (1837 -1914). It is a pleasant and delicate portrait of a little girl from a poor family, but dignified and proud of her hairdo. She poses outdoors, in front of a flat countryside. The painting is presented in a period frame.

142 x 103 In

American Saruk carpet in cotton and wool, large knot, hand made.

Lombardy, Second Quarter XIX Century

Charles X secrétaire of Lombard production, supported by moulded feet, on the front it has pairs of doors containing a chest of drawers, surmounted by a folding door with a 'Cremonese-style' lock and concealing an architectural scribbling box with small drawers, document compartments and various secrets. Moved side uprights support the slightly projecting under-shelf band, in which is another drawer. Mahogany veneer, the interior is walnut, the scarab is inlaid with walnut, mahogany, walnut root and maple; bardiglio grey marble shelf.

Italy Early 20th Century

Rococo style sofa in mahogany, Italy early 20th century. Wavy legs ending in curled feet; decorated with leaves and rocaille elements. Backrest, armrests and seat upholstered and covered with damask fabric.

France, Mid XX Century

Bronze sculpture depicting a Setter dog. Posthumous copy of the work attributed to the sculptor PJ Mene.

Italian-made corner console table in walnut veneer with drawers.

Europe, Late XIX - Early XX Century

Triptych of silver-plated metal cardstocks, embossed, chiseled and worked with a burin. Decoration with leafy scrolls, ears of wheat and grapes. At the top, the Sacred Heart of Jesus.

Europe XIX Century

Oil lamp in ceramic and bronze with neo-Renaissance style decorations. In the central band, relief figures and mythological scenes.

Jubilee Plate 1970

The 1970 Jubilee plate was issued to celebrate the 75th anniversary of the first Christmas plate produced in 1895. The title of the plate is “The Royal Palace Amalienborg” and it is the 12th in the series of Jubilee plates started in 1915, and still in production with a new plate every five years. A peculiar characteristic of all the Jubilee plates is that they repeat the ornamental motif of a previous Christmas plate; in this case the design of the Christmas plate of the year 1914 has been reproduced. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year shown on the plate itself and production ended at the end of the year with the destruction of the original shape which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Bing & Grøndahl mark with the three towers, inspired by the coat of arms of the city of Copenhagen, and the initials of the painter who created the unique illustration of the plate. The plate measures 23 cm in diameter and on the back it has two holes made by Bing & Grøndahl during production so that it can be hung.

Set of four vintage chairs with steel frame, red metal seat and back.