Oil on canvas. Genoese school of the 18th century. The countryside landscape sees a crumbling structure rising in the center, the ruins of a building through whose torn walls you can see the masses of white clouds in the background flowing; in front of it flows a stream, in which a woman is washing clothes, while her companion sits on a nearby rock, in line with the female figure and almost symmetrical with the female figure. The scene is characterized by a particular search for light, by a dynamism of forms (you can notice the directional continuity of the treetops with the roof of the ruin and the clouds) and by the theatricality of the figures, all elements that have defined the pictorial production of the Genoese Baroque. Restored and relined, the painting is presented in a period frame.

France Late 18th Century

Walnut sideboard, France, late 18th century. Front with three drawers in the band and pair of doors, paneled sides, turned feet. Decorated with moldings, sections with scale motif and carvings depicting leafy and phytomorphic elements and a pair of rosettes placed within lozenges. Walnut interior.

Sideboard with hinged doors and open drawers, Ash veneer and Formica inserts on the drawer fronts.

Italy Early 1900s

Commonly used ceramic serving plate with stylized flower and leaf decoration. Manufacturer's mark under the base.

France First Half 19th Century

Polychrome majolica box with lid decorated with vegetal racemes in shades of green and pink. Feral-shaped feet.

Italy, XX Century

Chinoiserie style screen with embroidered silk covering, Italy 20th century. Consisting of 3 panels decorated on one side with embroidery depicting landscapes with flora and fauna.

UK Size 12

Refined sponge jacket with sequin applications and colored edges, three-quarter sleeves. This is an item of great value as it is a unique piece, a tailoring prototype from the late 40s and early 50s by Biki, a great Milanese dressmaker who dressed Maria Callas. It has some defects of the time, namely some detached sequins. It can be worn up to an Italian size 46.

Ceiling lamp in bamboo, curved and decorated smoked glass.

The Student's Skull 1991

Mixed media on paper. On the back the artist's stamp with the signature, title and date of the work. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent space within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops of nineteenth-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

Pair of vintage chairs with enamelled metal legs and fibreglass seat in shades of blue.

Hèrmes tie in pure red silk with yellow and grey designs.

Ceiling lamp with two arms in red lacquered metal.

Oil on canvas. Northern European school of the first half of the 20th century. Signed lower right H. Williams. The landscape offers a glimpse of two chalets in the midst of vegetation rich in trees and foliage, with figures on the path; in the background rise sharp, snow-capped peaks. The painting is presented in a period frame.

Tempera on canvas. Framed in a painted, scroll-carved and gilded frame, a mother and daughter are portrayed: the young woman is languidly stretched out on an Ottoman sofa, and caresses the little girl kneeling next to her, holding a lunch basket in one hand. On the back there is a restoration, with a patch in the central part. The work is presented in a period frame.

Provence, Early XVIII Century

Oak wardrobe, front with walnut uprights and cherry doors, missing top, moulding at the subsequent base not pertinent. Lock replaced. Provence, early 18th century.

Italy, XVIII Century

Walnut coffee table, Italy, 18th century. Drawer in the band with opening on one of the two short sides, column legs ending with plinth feet connected by crosspieces.

Lombardy, Mid XIX Century

Extendable walnut table, supported by turned legs. In walnut, the extensions are missing.

Italy, Late XIX Century

Gilded fir wood mirror with Mecca motif, embellished in the corners with floral and leaf carvings in pastiglia. Italy, late 19th century.

Large pure silk scarf designed by French designer Charles Jourdan. The background is purple with geometric designs in various colors.