Italy, Late XIX Century

Mirror adorned with a carved and perforated cymatium with a central shell from which leafy spirals branch out; it was subsequently re-gilded and re-lacquered.

Italy, Early XX Century

Large baroque style cupboard made with antique wooden parts, Italy, early 20th century. Walnut structure, front with a pair of drawers under the top and a pair of doors, framed by pilasters placed to decorate the uprights. Molded base. Fir interior.

Italy, Mid XIX Century

Louis Philippe armchair in cherry wood, Italy, mid-19th century. Wavy armrests ending in a voluminous curl. Front legs moved by the broken line. Removable padded seat.

Vis à Vis 1963

Mixed media (marker, watercolor) on paper. signed and dated lower right. Jean Cocteau was a multifaceted artist: writer, playwright, playwright, he also dabbled in visual arts, loving to experiment with all the avant-gardes of his century. Cocteau published his first book of drawings in 1923, at just 36 years old. In it the poet portrayed his friends Raymond Radiguet, Pablo Picasso, Erik Satie, Francis Poulenc, but also numerous scenes of daily life in Paris, Nijinski's Russian ballets, allegories, caricatures, poetic images. Cocteau revealed himself to be a talented sketcher, but above all an artist capable of capturing the essence of faces, behaviors, human weaknesses. The theme of the face, or rather of faces, often two profiles facing each other, vis à vis, recurs in his pictorial production. In 1962 the artist completed the construction of the open-air theatre in Cap d'Ail, on the French Mediterranean coast, whose flooring is decorated with this subject, two faces with a Greek profile facing each other, with an eye in between; the subject was then re-proposed by him in the following period - moreover the one imminent to his sudden death -, with different variations. In the drawing presented here we find the two Greek profiles, separated by the third eye but also by two twisted snakes, while in the drawing of the theatre we find leaves. The work is presented in a frame.

Italy, Mid XIX Century

Louis Philippe round table in walnut and walnut slab, Italy, mid-19th century. Turned base, culminating with three wavy legs decorated with reserves, curls and carved leaf elements.

Carved Chair

Carved chair with classic Greek motifs from the late 19th century. Made of mountain-style beech wood, it features simple floral carvings and classic Greek motifs across the entire surface.

Naples, Second Half XIX Century

Pair of Louis Philippe bedside tables of Neapolitan production, on the front they have a door in the lower part, an open compartment and an upper shelf with drawer in the band, supported by powerful and characteristic curled uprights. In mahogany.

Ceiling lamp, white and yellow glass.

Italy, XIX Century

Embossed sheet metal altar card with mercury mirror.

Germany, 1980s-1990s

Polychrome glass vase with inclusions. Manufacturer's adhesive label under the rim.

Europe, Early XX Century

Hand-painted ceramic wall planter with a blue floral motif. Unidentified brand on the back.

Italy, Late XIX - Early XX Century

Walnut shelf carved with leafy scroll decorations.

Wall mirror, on pressboard support, mirrored glass with decorative workmanship on the edge.

Italy, Early XX Century

Gilded bronze chandelier with 12 plus 6 lights, arranged on a double stage; decorated with glass pendants.

Emilia Romagna, Early XVIII Century

Large wardrobe supported by shelf feet, on the front it has two doors decorated with geometric tiles; leaf carvings present on the uprights, the hat is supported by a bracketed frame. In walnut.

Console with sandblasted glass base and transparent glass top.

Early XVIII Century

Pair of baroque chairs with shaped backs and padded seats upholstered in leather, Umbria, early 18th century. Walnut structure, crosspieces and spool front legs. A coat of arms is painted in the center of the backrests, which seems to correspond to the coat of arms of the Fedeli family of Spoleto, portraying a dressed faith (in heraldry the faith indicates two hands shaking) with a six-pointed gold star at the top. The leather covering of one seat was replaced in the 19th century.

Tuscany, Late XIX Century

Louis Philippe cheval mirror, resting on two bases equipped with a drawer and connected by a pair of turned crosspieces; the uprights are carved in the shape of dolphins, to support the frame, decorated with a cymatium carved with leaf scrolls: the central psyche mirror has both a tilting movement and a rotation movement, thanks to a vertical pin. In mahogany, the interiors are in poplar.

Germany, XX Century

Dinnerware set for 12 people in white porcelain with decorations of bunches of flowers in shades of pink and in relief along the brim with leafy scrolls and plant motifs. Service composed of: 1 soup tureen, 24 dinner plates, 12 soup plates, 12 dessert plates, 4 trays, 1 gravy boat, 5 serving plates. Manufacturer's mark under the bases.