Chest of drawers, Teak veneered wood, handles and base in enamelled metal.

Italy, 1930s-1940s

Ico Olivetti typewriter with case. Born from an idea by Adriano Olivetti and Gino Levi Martinoli, head of the Projects and Studies Office founded in 1929, the Olivetti MP1 was physically designed in 1932 by Riccardo Levi, with designs by Aldo and Adriano Magnelli. Olivetti's first portable typewriter, also known as the ICO model. It was produced between 1932 and 1950 when it was replaced by the Olivetti Lettera 22.

Italy, Mid XIX Century

Mid-19th century walnut daybed, Italy. Turned backrest crosspiece, front armrest carved with the figure of a griffin, curled feet. Backrest and seat padded and covered in damask fabric. Removable backrest.

Italy, Late XIX Century

Neo-Renaissance sideboard in carved walnut, Italy, late 19th century. Front with pair of drawers in the band and two doors. Decorated with masks, spirals and leaf curls and a pair of pine Telamons, the latter acting as a pilaster. Walnut and poplar interior.

Ceiling bookcase with adjustable position elements, container with hinged doors and drawers, open shelves in teak veneered wood and aluminium. Restored.

Italy, Mid XX Century ca.

Group of six silver cups with turned stems. The inside of the cups is in silver vermeil. Silver marks engraved on the edge. 700 grams. The French term vermeil indicates a variety of gilded silver. The characteristics required for this material are a sterling silver base, covered in at least 10 carat gold plating and at least 1 and a half microns thick. However, the use of 14-carat gold, with higher thicknesses, is common. The chemical affinity between silver and gold gives the plating good resistance qualities. Currently plating is obtained by electrolysis. Originally, when this process was introduced in France, in the mid-eighteenth century, fire gilding was carried out. Plating allows you to avoid problems related to the oxidation of silver. Vermeil, being more expensive than silver, is a material used to make valuable objects (jewellery, medals, fountain pens, cutlery, toilet sets, watches, coolers, snuff boxes, travel toiletries, etc.). In fact, its cost is intermediate between that of the two elements that constitute it.

Ceiling/wall lamp in chromed metal and glass.

France, XX Century

Wallet-shaped table made with antique wood, 20th century France. Poplar top with book opening, drawer in the band, turned legs. Poplar and fir interior.

Vintage tie by Hermes in fuchsia and light blue pure silk.

Grapes, figs, pomegranates and peaches on a capital

Oil on canvas. Signed ‘Max. PF.' on the upper frame of the capital. The still life consists of grapes, pomegranate and peaches placed on a capital, there is also a silver tray in the composition; in the background is a landscape with trees and ruins, on the left is a glimpse of a cerulean sky, barely veiled by clouds. Maximilian Pfeiler made a name for himself with his still lifes in which he placed an architectural fragment in the background of the flowers and fruit, already introducing the taste for ancient ruins that was to become fully established in the 18th century. The painting has been retouched and restored (minor repainting). It is presented in a frame.

Italy, Late XIX-Early XX Century

Pair of Art Nouveau stained glass windows in painted leaded glass, Italy, late 19th-early 20th century. Borders with frieze of laurel leaves, internal part with curls and leaf scrolls. At the center of the windows, placed within an oval, two landscapes are depicted: one of a river, with boats and houses, the other of classical style, with ruins and a girl placed near a body of water.

Italy 60s 70s

Porcelain plate from the "Specialità Milanesi" series. Manufacture mark on the reverse.

Armchair with painted metal base, seat with foam padding and new yellow upholstery.

The Smuggler's Kitchen

Oil on cardboard. Signed lower left. On the back the title in pencil. In Giuseppe Solenghi's wide production, the urban landscapes of Milan or the Venetian lagoon views prevail, but there are also various glimpses of the countryside, mainly of Lombardy, as well as rustic interiors. In this glimpse of a rustic kitchen, with the large fireplace in which the large pot is cooking on the fire, and numerous objects of daily use, we find Solenghi's exemplary pictorial technique which uses a rather material color but applied with quick brushstrokes, with delicacy of colours, which in a few ranges fade into different variations, create a rural atmosphere. The painting is presented in a frame.

Summer hat designed by Gallia and Peter, the most famous millinery shop in Milan, dating back to around the 1950s. The workmanship recalls a flower with a central corolla and petals. The conditions are very good and the circumference measures 52 centimetres.

Bucket bag in yellow leather signed Etienne Aigner and dating back to the 1980s. The conditions are very good, it shows minor signs.

Italy, XX Century

Trumeau in Lombard Baroque style supported by curled feet, on the font it has three drawers decorated with characteristic little frames, also featured in the rest of the piece of furniture; these are surmounted by an urn flap concealing a cabinet with small drawers; the hips are moved to open. The riser, ending with a shaped cymatium, has a door with mirror and conceals a castle with shelves.

Piedmont, Late XIX Century

Piedmontese wardrobe in poplar, on the front it has a drawer and a pair of doors.

China, XX Century

Sculpture composed of vase and flowering plants presented in a box.

Italy, Late XIX-Early XX Century

Plaster bas-relief depicting Jesus with children presented in a golden tablet frame.