Italy, Early XX Century

Style armchair supported by wavy legs carved with baroque-style curl and rocaille motifs, also featured on the cymatium of the backrest; the seat and enveloping backrest are reeded, with removable cushion.

Armchair with curved wooden structure with armrests, seat in original red and white striped fabric with cushion.

England, First Quarter XIX Century

English George IV flap with upper display cabinet, England first quarter of the 19th century. Showcase in early twentieth century style with two doors with blown glass; on the front of the flap there is a concealed cabinet door with drawers and morocco insert, pair of side pulls and five drawers. Both the door and the cabinet have inlay decorations in maple and green-stained maple. Further embellished with maple threads and mahogany borders. Oak interior. There are small deficiencies in the veneering.

England, Early XX Century

English table with circular top with strips: once closed they transform it into a triangular top; supported by a tapered column baluster resting on a tripod with eagle's feet. In mahogany, the top is veneered in briar and has a thread in the center creating a triangular motif.

Pair of folding chairs made of wood.

Pure silk scarf with Panthère de Cartier ring print on a red background and yellow profiles. The conditions are very good, it has slight marks, which do not preclude its use.

Italy, XIX-XX Century

Neo-Renaissance armchair in ebonized wood, with padded seat and raised backrest, the upper part is foldable and allows it to be transformed into a lectern.

Vintage coffee table in round teak veneered wood with three legs.

Pure silk scarf by Hermes, 43X43 cm, designed by Henri d'Origny and produced for the first time in 1974, still in production today in the 90x90 version. Spurs, stirrups, rein buckles and whips are depicted in gold on a white background and blue frame.

57 x 42 In

Senneh carpet in cotton and wool, fine knot. Manual manufacturing.

Germany, Mid XX Century

White porcelain amphora vase with handles in the shape of fantastic animals and leaf volutes. Workmanship mark under the base.

"Arona" series armchair designed by Afra and Tobia Scarpa for a 1970s Maxalto production. Seat that is in excellent original condition, with wooden structure and stratifications in different essences, seat and backrest with foam padding and fabric covering of the period.

Provence, Mid XIX Century

Cupboard supported by bracket feet, on the front it has two doors framed between uprights carved with twisted columns and separated by a floral festoon; in the under-counter area, alternating with shelves, there are two drawers that can be opened by unlocking the mechanism on the sides. The upper body also has two paneled doors alternating with the same motifs found in the lower part, surmounted by a band carved with phytomorphic Greek.

Three Drinkers and an Angel 1942

Mixed media on board. Signed lower right. On the back further signature, title and date. Beppe Porcheddu, an important Italian illustrator and ceramist, was also a painter. In his evolutionary artistic path "it would seem that the artist has poured "the illustrator" into the painter and vice versa "the painter has prevailed in the illustration". From his first production, alongside his aptitude for the grotesque, Porcheddu showed a natural inclination for what was defined as a "perfect trio of symbols of a world (the medieval one) that expressed itself through metaphors like no other previous civilization" . In this panel, that tendency towards the grotesque is well expressed in the figures of the three drinkers, presented with crude features, clear lines and marked angles, while the figure of the angel appears evanescent, blurred, framed in the single light that comes from the open door.

Coffee table of Italian manufacture in wood with double top, restored in our workshops.

Italy, XX Century

Balustrade in style with uprights in the shape of powerful columns carved with baroque motifs, partially lacquered and gilded; central part in wrought iron.

Oil painting on canvas. The Madonna holds the Baby Jesus in her arms, and both hold the rosary crown, an invitation to Marian devotion. Above, angels appear from the open skies. The painting has previously been restored and relined; some small drops of color along the edges. It is presented in a contemporary frame.

Deco-style coffee table of Italian manufacture with wooden legs and black glass top.

England, XX Century

Large extendable table supported by turned and carved legs, equipped with castors; in mahogany, the extensions are missing.