Copper panels decorated with enamels. This is a 19th-century reproduction of the enamelled Cross of Paschal I (817-824), an important staurotheca in embossed and gilded copper, which contained within it minute fragments of the Cross of Christ, and which became part of the Treasure placed by Leo III (795-816) in the oratory called Sancta Sanctorum in the Lateran. The Cross is made up of five panels, arranged in the shape of a Latin cross, on which seven episodes from the life of Jesus are depicted with lively enamel figures. In the upper panel are the Annunciation and the Visitation of Mary; in the centre panel is the Birth of Jesus; on the left is the Flight into Egypt and on the right is the Adoration of the Magi; and finally in the lower arm is the Presentation of Jesus at the Temple and the Baptism of Jesus. The panels are composed on a wooden base and presented in a glass case frame.

Italy, XX Century

Baroque style desk supported by wavy legs, has two pairs of side drawers on the front and a large central drawer. Veneered in mahogany with bois de rose threads, it is adorned with gilded bronze shoes and applications.

Southern Italy Second Half of the 19th Century

Commonly used majolica basin decorated with simple geometric ornaments.

161 x 42 In

Malayer carpet in cotton and wool, fine knot. Manual manufacturing.

Italy, Second Half XX Century

Finely chiseled silver greyhound. On the base and under the base, incised marks of the manufacturer and silver. Grams 2222.

France, Late XIX Century

Rococo style mirror carved and gilded, carving of the cymatium made of pastiglia with small missing parts. France, late 19th century.

Italy, XX Century

Chest of drawers supported by column uprights resting on turned feet, has a lower shelf and three drawers placed in the shaped under-counter band. Mahogany veneer, it is adorned with marqueterie decorations; There are also gilded bronze frames and feet.

Czech Republic Early XX Century

Moser glass jewelry box with refined decoration of bunches of polychrome flowers in glass paste on a gold background. Edges, closure and feet in gilded bronze.

France, Mid XIX Century

Table clock in gilded bronze with dark patina, with scrolled feet and decorations with repeated motifs. The dial with Roman numeral hours is surmounted by a young man with a horse depicting the punishment of Mazeppa.

Italy, XX Century

Style sideboard supported by feet of which the front ones are turned, the front is divided into three by columns framing two copies of lateral doors carved with scenes of horse-drawn chariots, while in the center a door with a mirror decorated with ruins conceals a mobile bar, also it with mirrors; There are five drawers in the band. Above the marble top rests a large mirror with a carved and gilded frame.

Large table, legs in ebony-stained wood and part with carved decorations, band in walnut veneered wood, top with back-treated glass.

Italy, XX Century

Baroque style trumeau made of various essences, 20th century Italy. Architectural cymathium with oval mirror, upper part with a pair of glass doors, body equipped with a folding door concealing cabinet, three drawers and shelf feet.

France, Early XX Century

Bronze sculpture on a black marble base depicting a child's head. On the side, the author's signature engraved.

UK Size 14

Christian Dior shirt in pure rust-colored silk monogrammed ton sur ton. The line is classic and elegant; the size is 42 (length 66 cm, shoulders 40 cm, waist 102 cm).

Italy, XVIII Century

Eighteenth-century queen-size bed in walnut, Italy 18th century. Turned uprights, footboard with shaped and fluted front. Restorations.

Italy, Mid XIX Century

Walnut display cabinet and walnut pedestals Louis Philippe, Italy mid-19th century. The display cabinet, originally a wardrobe whose door has been modified, has a pair of drawers in the lower section. The uprights, turned and embellished with a twisted motif, end with spinning top feet. Poplar interior.

Italy, XX Century

Sculpture in patinated bronze metal on a black marble base depicting a young fisherman. The author's signature is engraved at the bottom.

86 x 45 In

Karabakh wool carpet, fine knot, manual production.

Woodland Landscape

Oil on canvas, applied on board. Signed lower right. On the back there is an autographed stamp of the Neapolitan art critic Alfredo Schettini. Painter born in Catanzaro but trained in Naples, which became his adoptive city, Salvatore Petruolo was skilled in watercolor and in the use of oil colors, he made many landscapes similar to the School of Posillipo and many still lifes and flowers. The painting is presented in a period frame.

Courtship Scene 1887

Oil on canvas. Signed and dated lower right, with additional inscription "Baden" (place?). The scene shows a young couple in 18th-century folk clothes, sitting on a bench under a flowering tree, along a country path: the boy is making the girl try playing the recorder, a nice courtship device. There are no biographical information about the artist, who is of German origin by name and place indicated. The painting is presented in a period frame.