Wall mirror with chromed metal frame and mirrored glass.

Oil painting on canvas. Signed Parlaghy K. lower left. It is a copy (of almost identical size) of the large painting created in 1882 by the Hungarian painter János Jankó (1833 -1896), preserved in the National Gallery in Budapest. The large scene sees a wedding procession on the move, with the bride's carriage in the centre, all festively decorated, followed by the carriages with guests and instrumentalists; some soldiers on horseback accompany the procession, an escort of honor indicating that the groom is an important person. On the ground, on the left, lies the lifeless body of a young man that the bride desperately tries to reach, trying to throw herself off the wagon, but is immediately stopped by some soldiers of the escort: perhaps the woman, headed for an arranged marriage with a another man (as Hungarian tradition allowed for a long time), discovers the body of his true lover who, out of desperation, took his own life, as the gun he holds suggests. The painting is presented in a period frame.

Highboard with hinged doors, exposed drawers and flap for the bar compartment. Solid wood and Teak veneer. Completely restored.

Italy 20th Century

Four-light style chandelier with metal structure, 20th century Italy. Structure adorned with rosettes and leaf elements in golden sheet metal. Glass inserts and pendants.

340 x 154 cm

Karabakh wool carpet, fine knot, manual production.

Floor lamp with fabric, brass and wood lampshade.

Europe Last Quarter of the 19th century

Freestanding clock in black patinated wood with gilded bronze feral-shaped applications and feet, surmounted by a cup-shaped vase. Enamelled metal display with Roman numeral hours protected by a glass lid.

Italy Early 1900s

Poplar wood altar with double door on the front. Lacquered interior, mecca decorated parts. Obvious shortcomings.

Floor lamp in chromed metal and white glass diffuser.

Italy Early 1900s

Polychrome terracotta bust depicting Niccolò da Uzzano. Copy from Donatello.

Neo-Renaissance

Pair of walnut panels carved in high relief with an epic scene and an offering scene set in a military camp.

France Early 20th Century

Rococo style chandelier with nine lights in gilt bronze, France, early 20th century. Structure characterized by leafy and floral elements. Glass pendants.

Chair with armrests in lacquered wood, foam padding, fabric covering. There are some marks on the fabric.

235 x 153 cm

Kilim wool carpet, fine knot; manual manufacturing.

Oil on canvas, applied to a shaped wooden panel. The panel is part of a series depicting episodes of the Gospel, centered on the life of Mary and Jesus; the characters are in fact depicted with the same appearance in the different scenes. The Crucifixion is depicted here, with the Cross in the centre, flanked by Mary on the left and the apostle John on the right. The wooden outline is framed in contemporary gilded strips.

Milan, Early XX Century

Art Nouveau cupboard "Fabbrica italiana di mobili" of which there is a label on another piece of furniture belonging to the same piece of furniture, a company owned by Carlo Zen who assumed this company name starting from 1905, with headquarters in via Bixio in Milan; starting from this date the artistic direction was entrusted to the Sicchirollo brothers who, alongside a luxurious production, started a production of simpler and more functional furniture. With two doors, concealing a three-drawer chest of drawers inside, a further drawer is present in the under-counter band; There is a small splashback on the top. In mahogany, the interiors are in oak, with handles, vents and inserts in bronze worked with leaf and fruit motifs.

Chest of drawers, Teak veneered wood, handles and base in enamelled metal.

France, Late XIX Century

Gilt bronze fireplace clock with leaf scroll decorations, garlands and vegetal motifs, surmounted by a female figure depicting the agricultural allegory of the harvest. Enamelled metal display with Roman numeral hours. Mechanism marked Samuel Marti & C.ie Medaille de Bronze.