Japan, Meiji Era

Circular bronze mirror with rope covered handle. On the back, the representation of a paradisiacal landscape with cranes among pine and maple trees on the seashore. Japan Meiji era (1868-1912)

Pair of vintage Italian-made Bergere armchairs from the mid-20th century with original padding and upholstery of the period in fair condition. Wooden feet.

Italy, XX Century

Bronze sculpture depicting a girl with braid. Author's signature engraved on the base.

China, Mid XX Century

Jade sculpture depicting birds and peonies resting on a wooden base.

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.

Two wall lamps in the style of Flavio Poli for Seguso, with chromed metal structure, very thick smoky green Murano glass lampshade.

Italy, Early XX Century

Golden iron chandelier, 6 lights, adorned with bobèches and pendants in transparent and amethyst-colored glass. Italy, early 20th century.

Ballerina 1896

Mixed media on cardboard. Signed dated lower right. Adolfo Magrini was a multifaceted artist: painter, illustrator, engraver, set designer, after an initial production influenced by the romantic painting of Palizzi and Morelli, he was contaminated by Central European influences, becoming more angular. This youthful work is still influenced by the Neapolitan artists with whom he trained. The painting is presented in a frame from the first half of the 20th century. Has some color damage.

UK Size 14

Linen and viscose blend sheath dress, with a nice detail on the neckline, a play of stitching and slits and a fabric belt to tie at the waist. Side zip.

Italy, Early XX Century

Style armchair supported by wavy legs carved with baroque-style curl and rocaille motifs, also featured on the cymatium of the backrest; the seat and enveloping backrest are reeded, with removable cushion.

Iconic Shogun model table lamp designed by Mario Botta and produced by Artemide starting from the second half of the 80s. Equipped with two adjustable perforated steel diffusers that rotate around the same axis to create different light effects. Lamp more than thirty years old in good original condition with patina of age.

Armchair with curved wooden structure with armrests, seat in original red and white striped fabric with cushion.

England, First Quarter XIX Century

English George IV flap with upper display cabinet, England first quarter of the 19th century. Showcase in early twentieth century style with two doors with blown glass; on the front of the flap there is a concealed cabinet door with drawers and morocco insert, pair of side pulls and five drawers. Both the door and the cabinet have inlay decorations in maple and green-stained maple. Further embellished with maple threads and mahogany borders. Oak interior. There are small deficiencies in the veneering.

England, Early XX Century

English table with circular top with strips: once closed they transform it into a triangular top; supported by a tapered column baluster resting on a tripod with eagle's feet. In mahogany, the top is veneered in briar and has a thread in the center creating a triangular motif.

Pair of folding chairs made of wood.

Pure silk scarf with Panthère de Cartier ring print on a red background and yellow profiles. The conditions are very good, it has slight marks, which do not preclude its use.

Italy, XIX-XX Century

Neo-Renaissance armchair in ebonized wood, with padded seat and raised backrest, the upper part is foldable and allows it to be transformed into a lectern.

Pure silk scarf by Hermes, 43X43 cm, designed by Henri d'Origny and produced for the first time in 1974, still in production today in the 90x90 version. Spurs, stirrups, rein buckles and whips are depicted in gold on a white background and blue frame.