France, XIX-XX Century

Bronze sculpture depicting an African knight on horseback. Author's signature.

Ludovico il Moro's farewell to his wife..

Mixed media (pencil, pen, brown ink and white chalk) on paper. Italian school of the early 19th century. Ludovico Maria Sforza cries at the tomb of his young wife Beatrice d'Este (1475 -1497); around him the friars of Santa Maria delle Grazie and on his left Bramante and Leonardo. On the short side of the marble canopy of the tomb there is the Sforza coat of arms, with two snakes and two eagles. Il Moro was profoundly shaken by the early death in childbirth of his very young wife Beatrice, his companion in his private but also political life, as well as his husband's, a patron of the artistic geniuses of their court, such as Leonardo da Vinci. and Bramante, authors of many pictorial and architectural works of the Visconti-Sforza court. Various versions of this episode are known, especially from the nineteenth century, from that of 1815 by Giovanni Battista Cigola at the Pinacoteca Ambrosiana, to that of Alessandro Reati of around 1850. The painting is presented in a carved wooden frame from the late 19th century.

Elegant cupboard of great executive quality in oak veneered wood with hinged doors and open compartment. The compartments have a shelf, drawers, and bar compartment covered in mirrored glass; Decorated parchment paper insert on the doors.

Italy, XX Century

Neoclassical style chandelier with six lights in carved, gilded and painted wood, Italy, 20th century. Decorated with leaf elements, grooves and frets. Turned frame.

Bedside table with drawers, open compartment, smoked glass shelf in lacquered wood. Good condition.

Italy, 1950s

Cast ceramic sculpture with under-glaze polychrome enamels depicting a running girl. Author's signature painted on the base.

Italy, XX Century

Double-top cupboard in mahogany style, Italy, 20th century. Equipped with a total of eight doors, two of which have central metal grates and damask fabric in the background, while the others are paneled and decorated with leaf carvings and rosettes. Front legs and spool crosspieces. To complete the decoration, upper and lower crosspieces echo the carving style of the doors.

Ceiling lamp in chromed metal and glass.

291 x 98 In

Herat carpet in cotton and wool, extra fine knot, handmade.

Wall lamp in chromed aluminum and Murano glass.

Italy, Late XIX Century

Louis Philippe sofa in beech, Italy, third quarter of the 19th century. Carved with curls and leaf elements. Padded back, armrests and seat.

Italy, Early XX Century

Wooden, chalked and painted sculpture depicting St. Augustine Bishop.

France, Late XIX Century

Triptych in yellow marble with gilded bronze applications and columns composed of a clock and a pair of risers. Enamelled metal dial with Arabic numerals and visible mechanism in the center. Mechanism marked CH Paris.

Italy, XVIII Century

High fire majolica shaving basin in monochrome shades of blue. Oval in shape with expanded rim. Decoration depicting a mythological scene of Venus rising from the water on two dolphins, supported by Cupid. The scene takes place in a fantastic landscape with villages of houses and mountains. Manufacture mark under the base.

Italy, Early XX Century

Neoclassical style corner shelf in carved and gilded wood, Italy, early 20th century. Lacquered shaped top supported by three wavy uprights decorated with leaf elements and scaled frets, connected to each other by floral festoons and embellished with ribbons. Lower part ending with a foliage wreath and acanthus leaves. Deficiencies in the gilding.