Italy Mid-19th Century

Pair of Louis Philippe bedside tables supported by turned feet, on the front they have a door and, in the characteristic groove, a drawer; in walnut.

Italy Late 19th – Early 20th Century

Neoclassical style writing desk with glass top, walnut, oak interior and Moroccan top, tapered truncated cone legs, top with tapered columns and Doric capitals. Right drawer lock missing. Italy, late 19th, early 20th century.

Italy, late 19th century

Extendable Umbertino walnut table, elliptical section top. Missing extensions. Italy, Late 19th Century

Chromolithographs applied on wooden boards, shaped and numbered at the bottom, gilded and decorated with painted friezes, surmounted by a gilded wooden cross. Signed C. Secchi below. The signature refers to Cesare Secchi, a painter also known for some series of printed Via Crucis.

Pair of chairs, foam padding, imitation leather upholstery, chromed metal structure.

Child on Pony

Oil painting on canvas. Signed lower right. Further signature on the back. Pleasant scene, which portrays a child on the back of a pony: lively and colourful, in the chromatic tones of the earth and the sky, it is part of the production of the Milanese artist who loved to portray popular characters and figures in their daily activities. The work is presented in a stylish frame.

Italy Mid-19th Century

Group of three Louis Philippe chairs in walnut, Italy, mid-19th century. Wavy line, padded seats.

Italy Early 1900s

Majolica flask with luster finish in shades of ruby ​​red, gold and cobalt blue. Saddled handle and handle, spool spout. Central cartouche with profile of a lady and figures of griffins. Manufacture mark under the base.

294 x 214 cm

Bukhara wool carpet, fine knot. Manual manufacturing.

Mountain landscape with stream

Oil on cardboard. Signed lower right. A landscape painter from Cremona, Vittori mainly portrayed glimpses of the Po Valley lands. In frame.

185 x 126 cm

Bukhara carpet in wool and cotton, fine knot, manual production.

Italy, XX Century

Neoclassical style black marble column, 20th century Italy. Octagonal top, resting on a Corinthian capital in gilded bronze, shaft partly fluted and ending with a border also in gilded bronze. Molded lower part placed on an octagonal base.

86 x 49 In

Beluchi wool carpet, fine knot, manual production.

Glass center table.

Italy, Late XIX Century

Umbertino walnut work table, Italy, late 19th century. Top with reserve veneered in walnut root, the latter also used to embellish the band under the top. One drawer, compartment under the band, turned legs and crosspiece, shaped feet. Cherry interior.

Italy Second Half of the XX Century

Polychrome ceramic tile with relief decoration depicting a grotesque harvest scene. Manufacturer sticker on the reverse.

Seated Figure

Oil on wooden board. Signed lower right. The painter Salvatore Sportelli, of Apulian origin but who lived for a long time in Lodi, where he taught (a posthumous exhibition of his was recently held in the city), produced numerous popular figures and genre scenes characterized by a look at post-impressionism. The work is presented in a frame.

Mirror mounted on wooden frame, brass console, mirrored glass with decorations.

Italy, Late XIX Century

Pair of beech wood statue-holder columns, Italy, late 19th century. Square tops and bases, the first removable with screw fixing. Fluted barrels with turned ends.

Italy, Late XIX Century

Pair of eclectic shelves in carved and gilded wood in Mecca, Italy third quarter 19th century. Lower end composed of a bellflower topped by curls, which support the shelf surface covered in velvet. A vertical structure extends from the floor, decorated with large lateral leaf elements and a pair of central flowers; crown with three flowers at the apex. Small renovations and gilding restorations. Slight defects in the gilding.