Wall mirror with chromed metal frame and mirrored glass.

Highboard with hinged doors, exposed drawers and flap for the bar compartment. Solid wood and Teak veneer. Completely restored.

Italy 20th Century

Four-light style chandelier with metal structure, 20th century Italy. Structure adorned with rosettes and leaf elements in golden sheet metal. Glass inserts and pendants.

340 x 154 cm

Karabakh wool carpet, fine knot, manual production.

Floor lamp with fabric, brass and wood lampshade.

Italy Early 1900s

Poplar wood altar with double door on the front. Lacquered interior, mecca decorated parts. Obvious shortcomings.

Neo-Renaissance

Pair of walnut panels carved in high relief with an epic scene and an offering scene set in a military camp.

France Early 20th Century

Rococo style chandelier with nine lights in gilt bronze, France, early 20th century. Structure characterized by leafy and floral elements. Glass pendants.

Chair with armrests in lacquered wood, foam padding, fabric covering. There are some marks on the fabric.

Oil on canvas, applied to a shaped wooden panel. The panel is part of a series depicting episodes of the Gospel, centered on the life of Mary and Jesus; the characters are in fact depicted with the same appearance in the different scenes. The Crucifixion is depicted here, with the Cross in the centre, flanked by Mary on the left and the apostle John on the right. The wooden outline is framed in contemporary gilded strips.

Chest of drawers, Teak veneered wood, handles and base in enamelled metal.

Italy, 1930s-1940s

Ico Olivetti typewriter with case. Born from an idea by Adriano Olivetti and Gino Levi Martinoli, head of the Projects and Studies Office founded in 1929, the Olivetti MP1 was physically designed in 1932 by Riccardo Levi, with designs by Aldo and Adriano Magnelli. Olivetti's first portable typewriter, also known as the ICO model. It was produced between 1932 and 1950 when it was replaced by the Olivetti Lettera 22.

Italy, Mid XIX Century

Mid-19th century walnut daybed, Italy. Turned backrest crosspiece, front armrest carved with the figure of a griffin, curled feet. Backrest and seat padded and covered in damask fabric. Removable backrest.

Italy, Late XIX Century

Neo-Renaissance sideboard in carved walnut, Italy, late 19th century. Front with pair of drawers in the band and two doors. Decorated with masks, spirals and leaf curls and a pair of pine Telamons, the latter acting as a pilaster. Walnut and poplar interior.

Ceiling bookcase with adjustable position elements, container with hinged doors and drawers, open shelves in teak veneered wood and aluminium. Restored.

Italy, Mid XX Century ca.

Group of six silver cups with turned stems. The inside of the cups is in silver vermeil. Silver marks engraved on the edge. 700 grams. The French term vermeil indicates a variety of gilded silver. The characteristics required for this material are a sterling silver base, covered in at least 10 carat gold plating and at least 1 and a half microns thick. However, the use of 14-carat gold, with higher thicknesses, is common. The chemical affinity between silver and gold gives the plating good resistance qualities. Currently plating is obtained by electrolysis. Originally, when this process was introduced in France, in the mid-eighteenth century, fire gilding was carried out. Plating allows you to avoid problems related to the oxidation of silver. Vermeil, being more expensive than silver, is a material used to make valuable objects (jewellery, medals, fountain pens, cutlery, toilet sets, watches, coolers, snuff boxes, travel toiletries, etc.). In fact, its cost is intermediate between that of the two elements that constitute it.

Ceiling/wall lamp in chromed metal and glass.

France, XX Century

Wallet-shaped table made with antique wood, 20th century France. Poplar top with book opening, drawer in the band, turned legs. Poplar and fir interior.