Vintage floor lamp with chromed metal structure, glass cap and white enamelled metal base.

Milan, ca. 1750.

Pair of lamp holders in carved pine wood, lacquered white and partially gilded, supported by a cylindrical rod. Composed of large opposing "C" volutes, they are carved with curls and leaf motifs, embellished with a flowering branch that descends from the upper corolla, a support for the candle. Above the two lights there is a perforated and gilded sheet iron plate.

Pair of armchairs with exposed wooden armrests, foam padding and original upholstery in shades of coral with respective footrests.

Vintage 1970s dining table with steel and brass structure and smoked glass top.

Piedmont Third Quarter XVIII Century

Baroque Gueridon with open finish, supported by tall, slightly wavy legs, has a drawer on the front and an upper tray shelf; in walnut, the interiors are in poplar.

Vintage table lamp with ceramic base and canvas lampshade with aluminum inserts.

20th Century Italy

Pair of chairs with ebonized wooden structure adorned with golden decorations and adorned with brass elements, the seat and raised backrest are padded.

Nice vintage metal table lamp with adjustable position.

Europe Late 19th – Early 20th Century

Pair of electrified torch holders in carved and gilded wood with fabric lampshade.

The Woodcutter 1980

Oil on glass. At the bottom left are the signature and date, accompanied by the artist's symbol, the stylized figurine of a man in a wheelchair. It is a work on glass by the painter Mario Previ, who has lived and painted in a wheelchair since the age of eighteen, due to quadriplegia resulting from a dive into his Taro. He said of himself: "The world, the passage of time, from this point of view (the wheelchair) teach many things. You learn to wake up every morning with a purpose, even if your body is in pain, if every gesture generates suffering and depending on others and giving up could be an easy solution. And instead, art, painting, together with the serenity of my world, of friends, give me incredible energy. They saved me, giving me the strength to live." . In 1974, three years after the accident, inspired by a television program on Yugoslavian naïve painters, in particular by the works on glass of Mijo Kovacic, Previ began to paint and learn the art of painting on glass as a self-taught, until he to make himself known and appreciated for his paintings. In his naifs Mario Previ tells a reality that has almost disappeared, real stories albeit in a fairy-tale tone, he revives lost traditions, slices of life that belonged to other generations, those of peasant civilization (from which he also comes), but what emerges most from his visions are the "forë", those that could once be heard in the "firossi", the traditional evenings of the hamlets of Parma dedicated to meeting to tell anecdotes, stories and historical curiosities, often in front of the fireplace fire, when outside it was cold and snowing. The work is presented in a frame.

Pure Silk

Fuchsia and purple pure silk scarf, with a black frame. The print represents a religious scene in the center and other subjects in the background. The item has never been worn and has the tag.

280 x 168 cm

Mud carpet in cotton and wool. Fine knot; manual manufacturing.

20th Century Italy

Pair of three-light sconces in neoclassical style, gilded bronze, Italy, 20th century. Wall plaque in the shape of an anthemius, wavy arms adorned with laurel wreaths, four floral bouquets to complete the decoration.

20th Century Italy

Pair of three-light sconces in neoclassical style, gilded bronze, Italy, 20th century. Wall plaque in the shape of an anthemius, wavy arms adorned with laurel wreaths, four floral bouquets to complete the decoration.

England Early 20th Century

Small style corner display cabinet in mahogany veneer, England, early 20th century. Front with glass door. Fir interior.