Carved Chair

Carved chair with classic Greek motifs from the late 19th century. Made of mountain-style beech wood, it features simple floral carvings and classic Greek motifs across the entire surface.

Europe, Early XX Century

Hand-painted ceramic wall planter with a blue floral motif. Unidentified brand on the back.

Germany, XX Century

Dinnerware set for 12 people in white porcelain with decorations of bunches of flowers in shades of pink and in relief along the brim with leafy scrolls and plant motifs. Service composed of: 1 soup tureen, 24 dinner plates, 12 soup plates, 12 dessert plates, 4 trays, 1 gravy boat, 5 serving plates. Manufacturer's mark under the bases.

Italy, 1960s-1970s

Enamelled silver Bersagliere on a chiselled base. On the front engraved with the inscription "Bersagliere 1860 Regno di Sardegna". Silver hallmarks engraved on the back of the base. Silversmith's mark barely legible. Approximately 310 grams.

Italy, XX Century

Pair of lanterns with sheet metal structure and glass sides; they have three lights.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Oil on canvas, applied on panel. Central Italian school of the 18th century. It depicts the evangelical episode in which Jesus welcomes the children to himself, urging his disciples not to push them away: "Let the children come to me, for theirs is the Kingdom of Heaven". The scene is full of figures that overlap and intertwine: in the foreground Jesus seated on the right, opens his arms in a sign of welcoming the children who approach him, urged by their mothers; in the background the disciples, with Peter recognizable in the center who tries to push a boy away, but their gaze is turned to Christ, who looks at them and urges them to welcome them. In the background of the scene some architecture appears, in particular the pyramid stands out which symbolically represents the tension, the ascent towards the top. The painting has an evident lack of canvas in the center, patched with the application of a wooden panel to the back. It has other small traces of widespread restoration. It is presented in a 19th century frame.

Female Portrait 1937

Oil on canvas. Trace of signature lower left, full signature on the back, with the date. Trained at the Tallone school, Moretti Foggia was mainly a landscape painter, who offers veristic views characterized by a very bright and material chromatic palette, mainly reproducing his native Val d'Ossola. But his production also includes several portraits, among which is the successful one of this elegant and smiling lady, portraits in which the influence of Cesare Tallone is evident, in the brush stroke and in the use of color, as well as in the attention to the female world. The painting is presented in a contemporary frame.

Ceiling lamp in aluminum and white glass bowl-shaped diffusers.

Italy, Late XX Century

Silver teapot with worked handle, grip and rim. Silver and silversmith marks engraved under the base. 300 grams.

Central Italy, Late XIX Century

Majolica mug painted in monochrome blue with swirls and vine leaves. Trilobate mouth.

Italy, Early XX Century

Neo-Renaissance style table lamp with central light, Italy, early 20th century. Iron and sheet metal structure, frosted glass lampshade. Decorative apparatus composed of leaf elements, curls and a dragon placed on the stem.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

Large ceiling lamp, in Murano glass.

Floral Arrangement of Red Roses

Oil on canvas. Signed lower right. Alfio Paolo Graziani chose the faithful transposition of reality on his canvases, creating almost hyper-realistic compositions for the precision in reproducing the various materials and surfaces, as well as the effects of the light incident on them. Nicknamed "Prince of Flowers" for the abundant production of floral compositions, he also created landscapes, portraits and still lifes. Presented here is a bright bouquet of red roses, arranged in a decorated ceramic vase. The work is presented in a period frame.

Italy, 1930s

Polychrome majolica tea set consisting of a teapot, sugar bowl, milk jug and six cups with saucers. Decorated with a daisy motif and stylised figures in calligraphic style. Under the bases the brand of the manufacturer "la casa dell'arte".

Coffee tables, stained beech wood, lacquered wooden top.

61 x 44 In

Bukhara carpet in cotton and wool, fine knot; hand made. Good condition.

Italy, XVIII Century

Chest in solid walnut, supported by lion feet. Side handles in wrought and chiseled iron., Restorations on the top. Italy, 18th century.