Italy, 1950s

Cast ceramic sculpture with under-glaze polychrome enamels depicting a running girl. Author's signature painted on the base.

Ceiling lamp in chromed metal and glass.

Wall lamp in chromed aluminum and Murano glass.

Italy, XVIII Century

High fire majolica shaving basin in monochrome shades of blue. Oval in shape with expanded rim. Decoration depicting a mythological scene of Venus rising from the water on two dolphins, supported by Cupid. The scene takes place in a fantastic landscape with villages of houses and mountains. Manufacture mark under the base.

Italy, Early XX Century

Neoclassical style corner shelf in carved and gilded wood, Italy, early 20th century. Lacquered shaped top supported by three wavy uprights decorated with leaf elements and scaled frets, connected to each other by floral festoons and embellished with ribbons. Lower part ending with a foliage wreath and acanthus leaves. Deficiencies in the gilding.

Bench in enamelled metal. Decent condition.

Italy, Mid XVIII Century

Pair of candelabra in embossed and silvered brass sheet with characteristic leafy scrolls.

France, Late XIX Century

Gilt wood countertop clock with statue depicting a scholar. Enamelled metal dial with Roman numeral hours. Mechanism marked Japy Frères & Cie grande medaille d'Honneur 1855.

Duck Flight

Bronze sculpture. Signature engraved on the base. Gino Masciarelli, a sculptor originally from Abruzzo but who lived in the Milan area, after having also worked at the Experimental Center for Scientific Research “F. Marinotti” in Lombardy, dealing with high-frequency cinematographic shooting, learned to capture the instability of bodies in movement and the dissolution of matter in space in many of his works. In the sculptures "Human groups" and "Flight" - to which the work presented here belongs -, the dynamism of flight can be observed almost as if it were a photographic sequence. The artist himself said: "Only 8 seconds made an impression on 300 meters of film, the aim was to slow down what the human eye cannot see, I wanted to capture the movement and the projection of these seconds lasted a couple of hours".

Italy, Early XX Century

Green marble and bronze inkwell.

Italy, Second Quarter XIX Century

Louis Philippe single bed, supported by vase-shaped feet, has wavy uprights; mahogany veneer and mahogany feather.

Italy, 1990s

Large white ceramic basket with polychrome fruit decoration. Underneath adhesive manufacturing label.

Brass ceiling lamp with glass pendants. Good condition.

Italy, Mid XIX Century

Louis Philippe single bed in walnut, Italy, mid-19th century. Turned headboard and footboard upper crosspieces.

Italy, Mid XIX Century

Louis Philippe corner etagere in walnut, Italy, mid-19th century. Perforated shelf stand, turned front uprights. Five total support surfaces.

Germany, Late XIX - Early XX Century

Basket-shaped embossed silver centerpiece planter with fruit garland on the edge. Inside metal tray. Silver marks engraved on the base. 384 grams.

Italy, Late XIX - Early XX Century

Art Nouveau sofa in beech, Italy, late 19th-early 20th century. Open enveloping backrest, decorated with perforated panels with geometric rosette. Shaped legs, connected by crosspieces and ending with acorn-shaped feet. Padded seat.

71 x 51 In

Malayer carpet in cotton and wool, extra fine knot, manual production.

France, Late XIX-Early XX Century

Countertop clock in golden antimony with plant and animal motif decorations. Porcelain elements decorated with decals of landscapes, gallant scene and panoply. Display with hours in Arabic numerals.

Italy, Mid XIX Century

Pair of Louis Philippe bedside tables supported by turned feet, on the front they have a door and, in the characteristic groove, a drawer; in walnut.