95 x 77 In

Sardinian wool carpet, large knot, handmade.

Bench in enamelled metal. Decent condition.

Italy, Late XX Century

Group of seven ceramic parade plates decorated with polychrome enamels with fruit and flowers. Author's signature in the cavetto and on the reverse.

Italy, Late XX Century

Group of three ceramic bowls decorated with polychrome enamels with flower and fruit decorations of different sizes and shapes. Author's signature on the reverse and on the brim.

Italy, Mid XIX Century

Pair of Louis Philippe chairs in walnut, Italy, mid-19th century. Open backs with carved top and crosspiece; wavy legs. Padded seats.

Along the Banks of the Chiese in Gavardo 1940

Oil on cardboard. Signed lower right. On the back in pencil the title, location and date. Carlo Vittori was a landscape painter from Cremona, linked to his land. The view presented here portrays a stretch of the Chiese river which, on its journey towards the Po, crosses the countryside of first Brescia and then Mantua, here near Gavardo, a small municipality in the Brescia area. The painting is presented in a frame.

Bench with a particular shape with spring padding, original period covering in satin fabric and wooden legs.

Italy, Mid XVIII Century

Pair of candelabra in embossed and silvered brass sheet with characteristic leafy scrolls.

Sideboard in teak veneered wood with double hinged doors and exposed drawers.

France, Late XIX Century

Gilt wood countertop clock with statue depicting a scholar. Enamelled metal dial with Roman numeral hours. Mechanism marked Japy Frères & Cie grande medaille d'Honneur 1855.

Pair of vintage Italian-made bedside tables made of wood with glass shelf and brass handles.

Netherlands, XX Century

Mahogany veneered and inlaid style flap, 20th century Holland. Flap door concealing cabinet and morocco top, pair of pulls, three drawers. Inlaid with floral motifs, vases and birds in maple and stained maple. Poplar interior. Shortcomings.

Landscape with Mill

Oil on cardboard. Signed lower right. Carlo Vittori, an artist from Cremona, mainly portrayed the landscapes of his Po Valley. Here he proposes a countryside inhabited by a mill, to which the water arrives through an overhead canalization. The painting is presented in chronicle.

124 x 36 In

Sarab carpet in cotton and wool, fine knot, manual production.

Duck Flight

Bronze sculpture. Signature engraved on the base. Gino Masciarelli, a sculptor originally from Abruzzo but who lived in the Milan area, after having also worked at the Experimental Center for Scientific Research “F. Marinotti” in Lombardy, dealing with high-frequency cinematographic shooting, learned to capture the instability of bodies in movement and the dissolution of matter in space in many of his works. In the sculptures "Human groups" and "Flight" - to which the work presented here belongs -, the dynamism of flight can be observed almost as if it were a photographic sequence. The artist himself said: "Only 8 seconds made an impression on 300 meters of film, the aim was to slow down what the human eye cannot see, I wanted to capture the movement and the projection of these seconds lasted a couple of hours".