In the sheepfold, 1857

Oil on the table. Signed and dated in the center of the left margin. On the back there is a label from an art exhibition held in Sondrio in 1966 and one from the Martina art gallery in Turin. Eugène Verboeckhoven, a Belgian artist, distinguished himself for his paintings of animals, inserted into landscapes or placed in the interiors of stables. He belonged to that school of artists who, starting from the observation of nature, created compositions studied in detail, idealized reproductions of reality. Thanks to his dexterity in depicting animals, many artists called on him to enrich their works with some of his animals and figures. Between 1841 and 1842 he visited Italy, Switzerland and Scotland. The work presented here, an interior of a sheepfold with sheep and chickens scratching around, is presented in a period frame.

Piedmont, Late XIX Century

Showcase supported by feet of which the front ones are turned, on the front it has a pair of doors with mirrors visible through the perforated design, two drawers in the under-counter band; riser with two glass doors and shaped cymatium. In walnut.

Sudtirol, Late XVIII-Early XX Century

Chest of drawers with three drawers, inlaid with characteristic neoclassical motifs; pine interior.

Central Italy, Late XVIII Century

Neoclassical dresser supported by truncated pyramid legs with brass feet, on the front it has two drawers. Veneered in cherry, it is decorated on the front with baroque-style inlays; poplar interior.

Group of 4 chairs in chromed tubing, foam padding and imitation leather covering.

Table lamp in chromed metal and enamelled aluminium.

Chest of drawers in exotic wood veneer with brass handles. Restored.

Oil painting on canvas. The large landscape portrays a stretch of wooded countryside, crossed by a stream, near hills. On the path beyond the stream, a small figure of a traveler, walking away. The naturalistic element also dominates in the colors, with a vast range of greens and browns, which are also found in the stream as reflections of the plants. Restored and relined, the painting is presented in a gilded frame from the early 1900s.

Rectangular filet crochet doily Rectangular shape Some signs of aging Color Ecru Composition cotton Dimensions 94 cm x 22 cm

Size 42

Pure silk shirt by Ungaro. It dates back to around the 80s and has a loose fit, slightly batwing three-quarter sleeves with a narrow cuff, and a particular collar.

Pure Silk

Pure silk scarf, with flower print in shades of red and blue and purple polka dot ribbon. The background is ivory white, with a black frame. It has small imperfections, a stain and a pulled thread, but the fabric is in excellent condition, probably used a few times.

Filet table cover Elegant table cover with filet cupids Imperfections some pulled threads Ivory color Dimensions 240 cm x 230 cm

The violin player

Oil painting on canvas. Signed lower left. The Milanese artist, son of the famous painter Alcide Davide Campestrini, dedicated himself to still life, figure painting and Alpine landscapes, with a technique linked to his father's school and the late nineteenth-century tradition. painting presented in a contemporary frame.

Italy Late 19th century

Parade plate in polychrome majolica manufactured by Castelli, with a scene depicting mythological subjects Diana and Endymion.

Italy Mid-20th Century

Silver and crystal sugar bowl with teaspoon. Silver and manufacturing marks engraved under the base, on the lid and on the spoon. 200 grams.

Aladin scarf in blue and yellow ocher in pure silk, designed for Hermès in 1972 by Marie-Françoise Hero. It is in good condition, although it has some signs that do not preclude its use.