Provence Late 19th Century

Beech cradle supported by moving feet connected by crosspieces, the basket is delimited by turned elements, is equipped with a pole ending with a swan's head, used to fix the fabric curtain.

Coffee table with storage compartment and glass top. Ebony stained beech wood, transparent glass with decorations.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

UK Size 14

Sheath dress designed by Emanuel Ungaro for the parallel line. It is a current model, elegant in black lace, draped on the bust, flexible boning on the sides and a back zip. Fits today's Italian size 46 (length 74 cm, waist 80 cm, bust 93 cm).

86 x 45 In

Karabakh wool carpet, fine knot, manual production.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

Oil painting on canvas. Italian school of the 17th century. The Saint is depicted inside his study, intent on reading and studying the sacred texts, but in penitential garb, i.e. clad only in a red cloth draped around his naked body. The painting, relined, has a significant crack; It is placed in a contemporary gilded wooden frame.

Mixed Silk

Scarf in silk and viscose blend, in iridescent dove gray fabric, with abstract pattern on a black background. Soft and velvety to the touch.

Oil painting on canvas. Central Italian school of the 17th century. In its pictorial style, the painting recalls the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a painter, copyist, restorer, but also a pasticheur and connoisseur of art, i.e. creator of paintings "in the manner of"- in “technique” and in the “style” of a specific artistic period or of a specific author, even assembling “parts” taken from different paintings. Initially Caravaggesque, Il Caroselli later developed his own personal artistic language, which was copied by many minor artists. In this work the fixed and almost exasperated expressiveness of the character stands out, whose elegance of the seventeenth-century dress and the almost feminine features of the face with its rosy complexion contrast with the crudeness of Goliath's head, bloody, with the large stab wound that stands out against the mortal pallor. The painting has been restored and relined, retaining the original wooden frame. It is presented in a contemporary wooden frame.

Naples, Late XIX Century

Chest of drawers in mahogany veneer and mahogany feather on the front, Naples third quarter 19th century. White marble top, front with four drawers, one of which in the band, uprights at forty-five degrees with pilasters decorated with a rococo style element, carved floral and leaf festoons. Lower plinth section. Poplar interior.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.

161 x 42 In

Malayer carpet in cotton and wool, fine knot. Manual manufacturing.

Service trolley with double shelf, one of which is removable, wood covered in laminate, metal.

Italy, XVII Century

Carved wooden Christ with remnants of coeval lacquering. Posthumous carved wooden base.

Italy Early 1900s

Silver coffee service consisting of tray, coffee pot, milk jug and sugar bowl. Silver mark engraved on the edge and under the bases. Grams 1990.

Italy, 1960s

Bowl in silver and red enamel. Under the base there are marks of manufacture and silver engraved. Reseller label not readable. 590 grams.

Swivel armchair, foam padding, fabric covering, metal base. Restored. A comfortable armchair with a typical shape of the 60s, ideal for an environment with a relaxation area, with a vintage touch. Carefully restored by our laboratory with replacement of the padding and covering, to give new life to things.

France, Second Half XIX Century

Freestanding clock in gilded bronze with leaf scroll decorations and vegetal motifs. Enamelled metal display with Roman numeral hours and Arabic numeral minutes protected by a curved glass lid.