Oil painting on canvas. Signed Parlaghy K. lower left. It is a copy (of almost identical size) of the large painting created in 1882 by the Hungarian painter János Jankó (1833 -1896), preserved in the National Gallery in Budapest. The large scene sees a wedding procession on the move, with the bride's carriage in the centre, all festively decorated, followed by the carriages with guests and instrumentalists; some soldiers on horseback accompany the procession, an escort of honor indicating that the groom is an important person. On the ground, on the left, lies the lifeless body of a young man that the bride desperately tries to reach, trying to throw herself off the wagon, but is immediately stopped by some soldiers of the escort: perhaps the woman, headed for an arranged marriage with a another man (as Hungarian tradition allowed for a long time), discovers the body of his true lover who, out of desperation, took his own life, as the gun he holds suggests. The painting is presented in a period frame.

Highboard with hinged doors, exposed drawers and flap for the bar compartment. Solid wood and Teak veneer. Completely restored.

China 1925 ca.

Porcelain figure painted with polychrome enamels depicting the immortal Shou Xing. The robe richly decorated with stylized ideograms and peaches symbolizing longevity. Oval Ji Maosheng mark impressed under the base.

Oil painting on canvas. Central European school of the late 19th century. The Madonna sits on the throne, with Jesus asleep on her lap; on both sides a group of little angels, dressed as children of different ages, play instruments and sing: their concert is perhaps the lullaby that accompanies the sleep of the Divine Child. The scene is depicted painted in a marble altar, on whose side balustrades the angels are placed; behind Mary there is a lunette with a starry sky, while at her feet there is a dove and olive branches, symbols of peace. The work is presented in a period frame.

19th Century / 1801 - 1900

Louis Philippe lectern resting on a four-armed base equipped with wheels and supported by a turned baluster; adjustable in height via a mechanism consisting of an iron spring and wooden ring. In mahogany.

Early 18th century

Baroque walnut bench, Italy, early 18th century. Shaped backrest molded on both sides.

Italy 20th Century

Four-light style chandelier with metal structure, 20th century Italy. Structure adorned with rosettes and leaf elements in golden sheet metal. Glass inserts and pendants.

20th Century Italy

Bronze sculpture depicting a sitting dog. The author's signature is inscribed on the base.

340 x 154 cm

Karabakh wool carpet, fine knot, manual production.

France Early 19th Century

Walnut slatted table, France, early 19th century. Pair of drawers placed in the band on the short sides, legs connected by crosspieces. Pine interior.

Pair of chairs, chromed metal, leather.

Floor lamp with fabric, brass and wood lampshade.

Europe Last Quarter of the 19th century

Freestanding clock in black patinated wood with gilded bronze feral-shaped applications and feet, surmounted by a cup-shaped vase. Enamelled metal display with Roman numeral hours protected by a glass lid.

Vase of Flowers 1957

Oil painting on canvas. Signed and dated lower right. Cesare Monti, born in Brescia but trained artistically in Milan, followed the development of artistic currents with his painting, moving from divisionism to impressionism up to a more informal painting. Here proposed is a vase full of colorful gladioli, which grow in height, filling a dark and undefined background with their bright colors. The work is presented in a contemporary frame.

Italy Early 20th Century

Pair of Liberty windows, made with leaded and colored glass to create decorative motifs; cracks present.