Italy, Late XIX Century

Group of 4 baroque walnut chairs, open backrest with floral and leaf carvings, wavy legs. Padded seat, recently redone, covered in eco-leather. Third quarter of the 18th century

UK Size 10

Cocktail dress from the Milanese atelier that recalls the style of 1950s shirtdresses. Made of light blue and white striped viscose crêpe, with large mother-of-pearl buttons. The garment has four pockets, two fake on the bodice and two inserted in the skirt. The tailored model wears a size 42 with the following measurements. Waist: 67 cm. Armhole: 50 cm. Shoulder width: 38 cm. Length: 125cm. It has some very slight halos, almost imperceptible.

Rome, Third Quarter XVIII Century

Baroque commode subsequently transformed into a bedside table by blocking the top, Rome, third quarter of the eighteenth century. Supported by four wavy legs, on the wavy front it has two shaped doors in the lower part; the upper surface is also shaped. The external surface is veneered in various essences, including walnut, cherry, maple and fruit wood. The top, front and sides are then decorated with walnut pedule reserves placed within maple borders, with the same number of panels in the center containing inlaid compass roses. Gilt bronze applications placed at the top of the uprights.

Piedmont, Late XVIII-Early XIX Century

Neoclassical walnut wardrobe, Piedmont, late 18th - early 19th century. Front with pair of doors decorated with breadstick tiles. Carved drip tray placed under the hat.

Vintage floor lamp with aluminum and methacrylate base containing a neon light, fabric lampshade added later. Double ignition.

Italy, Late XIX Century

Umbertine chest of drawers with a broken front with four drawers framed between uprights carved with leaf and plant motifs and a pair of female busts; marble top.

China, XX Century

Pair of vases painted in enamel with plant and animal motifs within reserves and on a gold background. Under the base, mark in blue painted underglaze. The vases are held up by elegant lacquered wooden supports.

Vintage serving trolley with double top and small removable tray in stained beech wood and glass.

Emilia Romagna, Late XIX Century

Cupboard with neo-Baroque walnut wall unit, Emilia Romagna late 19th century. The wall unit, with a door and drawer on the front, is made from antique parts, while the sideboard, with a front door opening, was obtained by modifying an older piece of furniture. Brass studs.

Italy, XX Century

Baroque style walnut bench, 20th century Italy. Padded seat covered in damask fabric, characterized by everted sides. On the four corners there are as many turned knobs; wavy legs carved with leaf motifs and curls.

Study of a Hand 1906

Pencil on paper. Signed lower right. On the back there is a further sketch of a donkey's head. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Here we propose the study of a hand of the artist who is still very young, but already capable of powerful expressiveness in outlining the figure. Work in frame.

Germany, Mid XX Century

White porcelain amphora vase with handles in the shape of fantastic animals and leaf volutes. Workmanship mark under the base.

Coffee table of Italian manufacture in wood with double top, restored in our workshops.

Italy, 1940s

Brass chandelier, with large opaline glass light; 6 arms branch out from the structure to support the same number of lights, with glass bobeches.

Italy, Early XX Century

6-light chandelier, in golden metal with carved and golden glass inserts, adorned with glass necklaces and glass and colored glass pendants.

Female Nude

Sanguine on paper. signed lower right. Celada, who loved to paint women both in portraiture and in his figure studies, proposes a female body, firm and classicizing both in forms and in references to the painting of the past. Celada';s painting is capable of blocking in time and space reality, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. The work is presented in a frame.

England, Late XIX Century

Neo-Gothic library ladder, the first shelf can be opened to hide the internal compartment, on the upper part there is a drawstring door and an under-counter drawer; on the side there is a door. In mahogany, it is adorned with neo-Gothic carvings; there are several shortcomings.

Italy, 1950s

Ceramic sculpture depicting female nude. Signature of the author on the lower back.

Minispot 41601' table lamp with stainless steel globe shade adjustable in all directions held in place by a magnet inserted in the base.