Italy Early 20th Century

Workbench supported by turned legs connected by crosspieces, in the under-counter band it has five drawers on each long side and one on the short ones. In fir, it has bands in the oak top, while the front of the drawers is in poplar.

Italy Mid-19th Century

Louis Philippe sleigh sofa in walnut, Italy, mid-19th century. Carved upper back section, turned legs. Backrest, armrests and seat padded and covered in brocade fabric.

Wall lamp in nickel-plated aluminum and glass.

England Late 19th Early 20th Century

English sail table whose mechanism was subsequently blocked, resting on three wavy and curl-carved feet, onto which four turned and carved columns are inserted. In walnut, the top is veneered in briar and decorated with maple threads and inlays.

England Early 20th Century

English bookcase, on the front it has a pair of doors surmounted by a drawer with a folding front, a concealing cabinet with a morocco top, compartments and drawers veneered in maple root. The upper body has two doors with glass and internal rack. In mahogany.

20th Century Italy

Pair of cherubs with carved, gilded and lacquered wooden torch holders.

Table lamp with adjustable head and arms balanced by counterweights. Designed by Richard Sapper for Artemide. In aluminum and enamelled metal.

Scarf by Krizia in soft silk in shades of orange with feline prints. It has been preserved very well over time in its original cardboard packaging.

Vintage tie by Hermes in fuchsia and light blue pure silk.

Head of a young girl, 1972

Oil painting on canvas. Signed lower left. On the back there is a label from the Ponte Rosso art gallery in Milan, with the title and date of the work. There is also a notarial stamp for authentication. Leonardo Spreafico, from Monza, was part of the artistic group "Garibaldi 89", formed in 1930, a partnership of artists from Milan and neighboring provinces, who, looking at the European avant-garde, contributed to the renewal of Italian art. A painter of landscapes but also of figures, Spreafico thanks to his lively sense of colour, offers in his works a dreamy allegory of everyday life, which becomes sunny thanks to the use of unusual tones and colours, but always harmonious with each other. In frame.

Queen Louise of Prussia

Painted porcelain tile. Berlin, last quarter of the 19th century. The delicate porcelain portrays Queen Louise of Prussia (1776 -1810). The queen is dressed in a white dress edged in gold, in the Empire style, while on one shoulder she carries a blue cloak lined with ermine; her blond hair is gathered and held back by a gold diadem. Louise is descending the steps of a classical building: the base and the lower part of a tapered column can be glimpsed, just as the herms in the background look to the ancient world, while in the background a wooded landscape can be seen. The porcelain is marked on the back with the royal sceptre accompanied by the initials “KPM”, also impressed with “255-195”, “h” and monogram. The painting is signed Wagner. Presented in a contemporary frame richly carved with scrolls and entirely gilded.

Still Life with Grapes, Figs, Pomegranate and Peaches

Oil on canvas. Signed “Max. PF.” on the upper frame of the capital. The still life is composed of grapes, pomegranate and peaches placed on a capital, in the composition there is also a silver tray; in the background a landscape with trees and ruins, on the left you can glimpse a corner of cerulean sky, just veiled by clouds. Maximilian Pfeiler made a name for himself for his still lifes in which, as a backdrop to the flowers and fruit, he placed an architectural fragment, already introducing that taste for ancient ruins that would be fully consolidated in the 18th century. The painting has been relined and restored (small repaintings). It is presented in a period frame.

Pair of armchairs in stained poplar plywood, seat in reinforced canvas with foam cushions with fabric covering. Restored.

Italy, Second Half XIX Century

Putto torch holder in carved, lacquered and gilded wood.