Italy First Quarter 19th Century

Empire column bedside table in walnut, Italy first quarter of the 19th century. White marble top, column shaft with fluted motif equipped with door and internally with drawer and support shelf; resting on a square base. Poplar and fir interiors. Marble top replaced.

Italy Early 1900s

White marble sculpture depicting little angel.

Tuscany Second Quarter 19th Century

Restoration chest of drawers in mahogany veneer, Tuscany, second quarter of the 19th century. Top in white marble, front veneered in mahogany with three drawers, the first of which juts out, uprights with ebonized round columns resting on a plinth and decorated with carved and gilded capitals; turned front feet also ebonized and embellished with golden leaf carving. Poplar and fir interior.

France, Late XIX Century-Early XX Century

Triptych bronze and white marble clock with pair of three-flame candelabra. Enamelled metal dial with Arabic numeral hours protected by a curved glass cover. Finely pierced gilded bronze hands. The pendulum bears the effigy of the Sun King. Mechanism marked Samuel Marti Médaille d'Or Paris 1900.

The bust portrays a noble woman, richly dressed. Certainly a portrait, as can be seen from the detailed physiognomic characteristics of the face; the depicted subject has a stern gaze and attitude, an element that characterizes the portrait sculpures of the time. The hair are tied on the back of her head in an elaborate hairstyle with braids. The neck is adorned with a necklace with a medallion in the centre and multiple strings of pearls. She is wearing an off-the-shoulder dress, refined with a thin lace hem and a bow in the middle of her chest. The sculptor has great skills with the use of a chisel to refine details and the texture of fabrics.

Naples, Mid XIX Century

Console in mahogany and Louis Philippe mahogany slab with raised tilting mirror, Naples mid-19th century. Shaped white marble top, drawer in the band, legs connected by cross-piece. Richly carved with rocaille-style motifs, including curls, shells and leaf elements. Poplar interior.

France Second Fourth XIXth Century

Restoration dressing table finished in a day entirely veneered with mahogany feather, France, second quarter of the 19th century. Stand with pair of side drawers and tilting mirror, top in white marble with tray, drawer in the band containing Moroccan insert placed on a sliding wooden panel; column rear legs, moved front legs, the latter ending with lion feet in gilded bronze resting on a shaped base with wheels. Decorated with leaves and floral elements in chiseled gilt bronze. Mahogany and poplar interior.

Italy, Late XIX Century

Mahogany veneered Charles X centre cabinet, Italy second quarter 19th century. White marble top with circular basin compartment, front with drawer in fascia, pair of doors and wheel feet. Fir interior.

Italy Mid 19th century

Group of 2 Louis Philippe corner cupboards in Maple, Italy mid 19th century. Raised shaped and carved in curls, embellished with reserves with perimeter frames; white marble tops, wavy front with glass doors, internal compartments equipped with mercury mirrors. Inlaid with Charles X motifs in walnut and decorated on the uprights with leaf and floral carvings. Changes and replacements.

Italy, XX Century

Pair of white marble lamps with gilt bronze base and sockets. The base has a decoration with repeated motifs and the sockets are in the shape of caryatids. Fabric lampshade.

Low shaped table with square top in white marble and structure in rectangular section steel profile.

Italy late 19th century

Female bust and liberty column in white statuary marble, Italy, late 19th century. Bust in old-fashioned dress with floral elements placed on the chest; column decorated with ivy that descends transversely from the supporting surface.

Italy, Mid XX Century

Bust of a Roman emperor in white marble and alabaster, Italy, mid-20th century. Alabaster gown. Base in black marble.

Marble sculpture depicting the bust of a man. Signature of the author "F. Parisi" engraved at the base.

Portrait of a young girl in marble placed on a grey marble column, depicting a young girl cloaked in the winter cold. The different processes used give variety in the rendition of the marble. On the back of the bust, “F. Andreini Florence 1894" is engraved.