China Chongzhen Period 1628-1644

Small Chinese polylobed ko sometsuke saucer with triangular plan, decorated in blue underneath with a peach, a pomegranate, a lemon "Citrus medica" also known as Buddha's hand and an ideogram symbol of longevity. Three bats decorate its brim.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

86 x 37 In

Beluchi wool carpet, fine knot and handmade

Mirror with console with 2 open shelves in lacquered wood and mirrored glass.

47x31 In

Tabriz 60 raj carpet in cotton, wool and silk. Fine knot. Manual manufacturing.

Italy, 1850 ca.

Sculptural group in porcelain depicting a horse-drawn chariot led by a mythological figure. Manufacturer's brand under the chariot.

Italy, Late XIX Century

Chandelier in wrought iron and sheet metal worked with phytomorphic motifs in neo-Renaissance style, with six lights, the bobeche are with floral corollas.

Provence Late 19th Century

Beech cradle supported by moving feet connected by crosspieces, the basket is delimited by turned elements, is equipped with a pole ending with a swan's head, used to fix the fabric curtain.

Early XVIII Century

Pair of baroque chairs with shaped backs and padded seats upholstered in leather, Umbria, early 18th century. Walnut structure, crosspieces and spool front legs. A coat of arms is painted in the center of the backrests, which seems to correspond to the coat of arms of the Fedeli family of Spoleto, portraying a dressed faith (in heraldry the faith indicates two hands shaking) with a six-pointed gold star at the top. The leather covering of one seat was replaced in the 19th century.

Coffee table with storage compartment and glass top. Ebony stained beech wood, transparent glass with decorations.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Italy, Early XX Century

Empire style balloon chandelier with central light, Italy, early 20th century. Structure in golden sheet metal decorated with phytomorphic elements. Glass necklaces and pendants.

Pure Silk

Pure silk scarf made with Etro's iconic paisley print, in various color shades, including black, green, mustard, turquoise and salmon.

Italy, Early XX Century

Wrought iron perch painted in polychrome with vegetal motif decorations. Podded copper basin.

Size 10

Elegant pinstripe suit in dark gray wool blend, consisting of jacket and skirt. The single-breasted jacket, with one button fastening, is slightly fitted, also provided with pleats that create a play of stripes in the pinstripe print. Simple and elegant model skirt.

Italy, Early XX Century

Chandelier in gilded bronze worked with phytomorphic motifs of neo-Gothic taste, is adorned with glass pendants and necklaces, has a double stage of 16 and 8 lights.

Oil painting on canvas. Italian school of the 18th century. The painting depicts the death of Saint Joseph which, according to the apocryphal gospels, occurred assisted by Mary and Jesus: the dying man lies in fact in his bed of agony, supported affectionately by his putative son Jesus and his wife Mary, while several angels assist, both at the foot of the bed, or from above where the heavens already open to welcome the soul of the saint. Joseph's is considered the most desirable and peaceful form of death, of old age, in one's bed and surrounded by one's loved ones, and for this reason the Saint is considered the patron saint of the dying and of sweet death. Restored and relined, the painting is presented with a frame.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

Japan, First Half XX Century

Pair of ceramic vases with flower, peony and figure decorations.