Study of a Hand 1906

Pencil on paper. Signed lower right. On the back there is a further sketch of a donkey's head. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Here we propose the study of a hand of the artist who is still very young, but already capable of powerful expressiveness in outlining the figure. Work in frame.

Italy, XX Century

Bronze sculpture depicting a girl with braid. Author's signature engraved on the base.

China, Mid XX Century

Jade sculpture depicting birds and peonies resting on a wooden base.

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.

Ballerina 1896

Mixed media on cardboard. Signed dated lower right. Adolfo Magrini was a multifaceted artist: painter, illustrator, engraver, set designer, after an initial production influenced by the romantic painting of Palizzi and Morelli, he was contaminated by Central European influences, becoming more angular. This youthful work is still influenced by the Neapolitan artists with whom he trained. The painting is presented in a frame from the first half of the 20th century. Has some color damage.

UK Size 14

Linen and viscose blend sheath dress, with a nice detail on the neckline, a play of stitching and slits and a fabric belt to tie at the waist. Side zip.

England, Early XX Century

English table with circular top with strips: once closed they transform it into a triangular top; supported by a tapered column baluster resting on a tripod with eagle's feet. In mahogany, the top is veneered in briar and has a thread in the center creating a triangular motif.

Pure silk scarf by Hermes, 43X43 cm, designed by Henri d'Origny and produced for the first time in 1974, still in production today in the 90x90 version. Spurs, stirrups, rein buckles and whips are depicted in gold on a white background and blue frame.

57 x 42 In

Senneh carpet in cotton and wool, fine knot. Manual manufacturing.

Germany, Mid XX Century

White porcelain amphora vase with handles in the shape of fantastic animals and leaf volutes. Workmanship mark under the base.

"Arona" series armchair designed by Afra and Tobia Scarpa for a 1970s Maxalto production. Seat that is in excellent original condition, with wooden structure and stratifications in different essences, seat and backrest with foam padding and fabric covering of the period.

Coffee table of Italian manufacture in wood with double top, restored in our workshops.

Italy, XX Century

Balustrade in style with uprights in the shape of powerful columns carved with baroque motifs, partially lacquered and gilded; central part in wrought iron.

Italy, 1940s

Brass chandelier, with large opaline glass light; 6 arms branch out from the structure to support the same number of lights, with glass bobeches.

103 x 75 In

Bukhara carpet in cotton and wool, fine knot, manual production.

Italy, XX Century

Mirror in embossed sheet metal worked with leaf and curl motifs in Baroque style.

Italy, Early XX Century

6-light chandelier, in golden metal with carved and golden glass inserts, adorned with glass necklaces and glass and colored glass pendants.

Italy, Early XVIII Century

Baroque chest of drawers supported by bracket feet, on the front it has 4 drawers; in walnut, the front has briar reserves and threads in maple and darkened wood essence, interiors in fir and poplar. The top was replaced with recycled antique wood.