France, Late XIX Century

Gilt wood countertop clock with statue depicting a scholar. Enamelled metal dial with Roman numeral hours. Mechanism marked Japy Frères & Cie grande medaille d'Honneur 1855.

Netherlands, XX Century

Mahogany veneered and inlaid style flap, 20th century Holland. Flap door concealing cabinet and morocco top, pair of pulls, three drawers. Inlaid with floral motifs, vases and birds in maple and stained maple. Poplar interior. Shortcomings.

Duck Flight

Bronze sculpture. Signature engraved on the base. Gino Masciarelli, a sculptor originally from Abruzzo but who lived in the Milan area, after having also worked at the Experimental Center for Scientific Research “F. Marinotti” in Lombardy, dealing with high-frequency cinematographic shooting, learned to capture the instability of bodies in movement and the dissolution of matter in space in many of his works. In the sculptures "Human groups" and "Flight" - to which the work presented here belongs -, the dynamism of flight can be observed almost as if it were a photographic sequence. The artist himself said: "Only 8 seconds made an impression on 300 meters of film, the aim was to slow down what the human eye cannot see, I wanted to capture the movement and the projection of these seconds lasted a couple of hours".

Italy, 1990s

Large white ceramic basket with polychrome fruit decoration. Underneath adhesive manufacturing label.

67 x 45 In

Bukhara wool carpet, fine knot. Manual manufacturing.

Italy, Mid XX Century ca.

Medici-shaped vase with breccia marble sphere.

Italy, Mid XIX Century

Louis Philippe single bed in walnut, Italy, mid-19th century. Turned headboard and footboard upper crosspieces.

Germany, Late XIX - Early XX Century

Basket-shaped embossed silver centerpiece planter with fruit garland on the edge. Inside metal tray. Silver marks engraved on the base. 384 grams.

Italy, Late XIX - Early XX Century

Art Nouveau sofa in beech, Italy, late 19th-early 20th century. Open enveloping backrest, decorated with perforated panels with geometric rosette. Shaped legs, connected by crosspieces and ending with acorn-shaped feet. Padded seat.

71 x 51 In

Malayer carpet in cotton and wool, extra fine knot, manual production.

France, Late XIX-Early XX Century

Countertop clock in golden antimony with plant and animal motif decorations. Porcelain elements decorated with decals of landscapes, gallant scene and panoply. Display with hours in Arabic numerals.

Italy, Mid XIX Century

Pair of Louis Philippe bedside tables supported by turned feet, on the front they have a door and, in the characteristic groove, a drawer; in walnut.

Italy, Late XIX - Early XX Century

Neoclassical style writing desk with glass top, walnut, oak interior and Moroccan top, tapered truncated cone legs, top with tapered columns and Doric capitals. Right drawer lock missing. Italy, late 19th, early 20th century.

Italy, Late XIX Century

Extendable Umbertino walnut table, elliptical section top. Missing extensions. Italy, Late 19th Century

Child on Pony

Oil painting on canvas. Signed lower right. Further signature on the back. Pleasant scene, which portrays a child on the back of a pony: lively and colourful, in the chromatic tones of the earth and the sky, it is part of the production of the Milanese artist who loved to portray popular characters and figures in their daily activities. The work is presented in a stylish frame.

Italy, Mid XIX Century

Group of three Louis Philippe chairs in walnut, Italy, mid-19th century. Wavy line, padded seats.

Italy, Early XX Century

Majolica flask with luster finish in shades of ruby ​​red, gold and cobalt blue. Saddled handle and handle, spool spout. Central cartouche with profile of a lady and figures of griffins. Manufacture mark under the base.

Mountain landscape with stream

Oil on cardboard. Signed lower right. A landscape painter from Cremona, Vittori mainly portrayed glimpses of the Po Valley lands. In frame.

73 x 50 In

Bukhara carpet in wool and cotton, thin knot, handmade.

Italy, XX Century

Neoclassical style black marble column, 20th century Italy. Octagonal top, resting on a Corinthian capital in gilded bronze, shaft partly fluted and ending with a border also in gilded bronze. Molded lower part placed on an octagonal base.