Pure silk scarf by Nina Ricci. The conditions are good, with the exception of slight marks which do not preclude its use.

Pair of 'CL' cipher pillowcases with applied border Button fastening typical of the period White colour Linen composition Dimensions 71 cm x 52 cm

Italy, XX Century

Mirror in embossed sheet metal worked with leaf and curl motifs in Baroque style.

Chaise longue with stained solid wood structure and foam seat covered in orange fabric in excellent original condition.

Italy, Early XX Century

6-light chandelier, in golden metal with carved and golden glass inserts, adorned with glass necklaces and glass and colored glass pendants.

Italy, XIX Century

Pair of Empire style candlesticks in beech wood, carved and gilded with gold leaf, satin lampshades richly hand-embroidered with Eucharistic symbols. Italy, late 19th century.

Italy, Early XVIII Century

Baroque chest of drawers supported by bracket feet, on the front it has 4 drawers; in walnut, the front has briar reserves and threads in maple and darkened wood essence, interiors in fir and poplar. The top was replaced with recycled antique wood.

Small vintage sideboard with hinged doors and four drawers; brass handles.

Italy, XX Century

Carved and silvered wooden torch holders decorated with phytomorphic motifs throughout the structure. Triangular base. Italy 20th century

Coffee table veneered in exotic wood; traces of a label showing the origin and year of manufacture.

Female Nude

Sanguine on paper. signed lower right. Celada, who loved to paint women both in portraiture and in his figure studies, proposes a female body, firm and classicizing both in forms and in references to the painting of the past. Celada';s painting is capable of blocking in time and space reality, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. The work is presented in a frame.

Sweden, Mid XX Century

Bevelled crystal centrepiece. Manufacturer's mark and model number engraved under the base.

Italy, XX Century

Capodimonte chandelier with three lights, in enamelled porcelain, worked with painted floral motifs; has cracks.

Tuscany Early XVIII Century

Baroque cantarano in walnut and walnut slab, Tuscany, early 18th century. Shaped top, uprights at 45° with architectural pilasters and applied festoons in carved and gilded wood. Front with 4 drawers, one of which in the band, non-coeval turned feet. Poplar interior. Small restorations; small defects in the carving of the pilasters.

Pair of Italian-made armchairs manudactured in the 1950s with curved beechwood frame, seat and back in woven rope.

England, Late XIX Century

Neo-Gothic library ladder, the first shelf can be opened to hide the internal compartment, on the upper part there is a drawstring door and an under-counter drawer; on the side there is a door. In mahogany, it is adorned with neo-Gothic carvings; there are several shortcomings.

Italy, 1950s

Ceramic sculpture depicting female nude. Signature of the author on the lower back.

Italy, XVII Century

Walnut chest, the front is decorated with semi-columns, one of which is missing, the bottom is also missing.

Italy, Late XIX Century

Candelabra with structure covered in embossed sheet metal and worked with vase and leaf motifs of eclectic taste; burgundy velvet inserts added later, also included in the lampshade.

Minispot 41601' table lamp with stainless steel globe shade adjustable in all directions held in place by a magnet inserted in the base.