Italy 19th century

Box of eclectic taste in wood and tablet with leaf gilding. Relief decorations with leafy scrolls, vegetable and Greek motifs. Inside fabric upholstery with coeval mirror under the lid.

Pure Silk

Bright green tie, with an original print depicting chairs. Pure silk.

Italy Mid 19th century

Torch in carved and gilded wood of neoclassical taste. Gilding and coeval gilded iron candle holder.

116 x 45 In

Malayer carpet in cotton and wool; large knot, manual manufacturing.

Evening handbag dating back to the 1930s studded entirely with rhinestones, silver-colored metal finishes. Note the rose decoration near the closure. The conditions are almost perfect; Only two diamonds are missing on the closure and it has some stains on the internal satin of the lining.

China, Yongzheng Era 1723-1735

Porcelain baluster vase painted with famille rose polychrome enamels. Decorated in the median band of the body by a large tripod incense burner in front of an altar with a vase full of flowers and a small censer. On the opposite side, composition of vases and various tools of the scholar.

Italy, XX Century

Baroque style walnut table, 20th century Italy. Undercounter band with pair of drawers, turned legs ending in a plinth, the latter connected by crosspieces; shapely feet. Poplar and fir interior.

Oil painting on canvas. The large painting recalls the pictorial methods of the 17th century but is from a later period, and was created on a canvas applied to an older one. The scene tells the biblical episode (taken from the Book of Kings) widely narrated pictorially, depicting the bath of Bathsheba, the wife of General Uriah, in the service of King David. According to the biblical story, David is on the terrace of his palace when he notices the woman bathing in the garden of her home, surrounded by her handmaids. Davide falls in love with her and seduces her, making her pregnant. To hide the crime, he recalls General Uriah from the front, to make him lie down with his wife, but Uriah does not want to leave his soldiers; then David sends him to fight on the front line hoping that he will be killed: this happens and David can marry Bathsheba, but he will be punished by God for the adultery and impiety committed. The painting shows the moment in which Bathsheba, having just come out of the bathroom, while she is reflected in the mirror held by a slave girl, and surrounded by other servants, reads the note that King David sent her; the latter appears at the top right, overlooking the terrace. The scene is dominated by female figures intertwined with each other, in a tangle of clothes and fabrics, and surrounded by flowers from the garden; in the center stands the mirror in a rich golden frame. The painting has a patch at the bottom right. It is presented in an antique gilded frame.

Italy, Late XIX - Early XX Century

Pair of single beds in lacquered wrought iron, Italy, late 19th - early 20th century. Structure composed of turned elements alternating with spheres.

Italy, XX Century

Neo-Renaissance style coffee table with padded top covered in skai fabric fixed with studs, 20th century Italy. Lower section with Greek baccellata and carved feral feet. Structure in poplar and fir.

131 x 90 In

Cotton Kilim carpet, extra-fine knot, manual production.

Bookcase with desk with extractable top, drawer under the top, storage compartment in the upper part with sliding doors, open shelves. Mahogany and laminate wood veneer.

126x44 In

Malayer carpet in cotton and wool; big knot. Manual manufacturing.

Europe XIX Century

Pair of iron andirons with soldier's heads.