Pair of chromed metal chairs; seat and backrest with frame in natural beech wood and Vienna straw.

Lombardy, Early XVIII Century

Baroque chest of drawers in walnut, Lombardy, early 18th century. Four drawer front; front and sides decorated with frames and carved panels. Poplar interior. Last drawer lock replaced.

Italy, Early XX Century

Bronze sculpture depicting a pair of fawns on a black marble base. Author's signature engraved on the side of the base.

Florence, Early XX Century

Terracotta column made in Signa, Florence, early 20th century. Stem richly decorated with Renaissance-style elements including acanthus leaves, spirals and vine branches, from which vine leaves and bunches of grapes grow. Three frets complete the ornamental display. Manufacture mark on the base "Manifattura di Signa", "1472 C". The Manifattura di Signa is a historic terracotta ceramic workshop, created in 1895 by will of Camillo Bondi in the premises of the “Fornaci di Signa” factory owned by his brother Angelo. A distinctive feature of the manufacture was the taste for Renaissance shapes and decorations, recovered and re-proposed with high craftsmanship.

Oil painting on canvas. The Saint, in the foreground, is depicted on his knees, adoring the Crucifix which he holds with one hand, while the other points downwards at the skull, the traditional "Memento mori". The figure is placed inside a cave, from whose opening you can glimpse an arid and barren landscape; the light enters from a hole in the rock and radiates linearly on the Cross to reach the face of the Saint. Restored and relined, the painting is presented in a 19th century wooden frame.

Coffe table with lacquered wood base and travertine top.

Italy Mid XX Century

Breadstick holder in finely pierced silver engraved with leaf scrolls and floral motifs. Silver marks engraved under the base. Hardly legible silversmith's mark. 258 grams.

Italy, 1920s

Luster majolica planter, third-fire painted in cobalt blue, gold and ruby. It features reserves on a white background with mythological scenes. Feral-shaped feet and snakes in the handles. Manufacture of Alfredo Santarelli, Gualdo Tadino. Manufacture mark in blue under the base.

Italy, Mid XIX Century

Carved and gilded wooden torch holders with leaf scroll decorations and festoons.

France, Mid XIX Century

Louis Philippe frame in lacquered wood, France, mid-19th century. The frame features lacquered and gilded tablet carvings along the perimeter, depicting curls and leaf elements; small defects in the lacquering. Inside there is an ancient print. Blown glass.

France, XIX-XX Century

Bronze sculpture depicting an African knight on horseback. Author's signature.

Ludovico il Moro's farewell to his wife..

Mixed media (pencil, pen, brown ink and white chalk) on paper. Italian school of the early 19th century. Ludovico Maria Sforza cries at the tomb of his young wife Beatrice d'Este (1475 -1497); around him the friars of Santa Maria delle Grazie and on his left Bramante and Leonardo. On the short side of the marble canopy of the tomb there is the Sforza coat of arms, with two snakes and two eagles. Il Moro was profoundly shaken by the early death in childbirth of his very young wife Beatrice, his companion in his private but also political life, as well as his husband's, a patron of the artistic geniuses of their court, such as Leonardo da Vinci. and Bramante, authors of many pictorial and architectural works of the Visconti-Sforza court. Various versions of this episode are known, especially from the nineteenth century, from that of 1815 by Giovanni Battista Cigola at the Pinacoteca Ambrosiana, to that of Alessandro Reati of around 1850. The painting is presented in a carved wooden frame from the late 19th century.

Elegant cupboard of great executive quality in oak veneered wood with hinged doors and open compartment. The compartments have a shelf, drawers, and bar compartment covered in mirrored glass; Decorated parchment paper insert on the doors.

Italy, XX Century

Neoclassical style chandelier with six lights in carved, gilded and painted wood, Italy, 20th century. Decorated with leaf elements, grooves and frets. Turned frame.