Italy, XIX-XX Century

Neo-Renaissance armchair in ebonized wood, with padded seat and raised backrest, the upper part is foldable and allows it to be transformed into a lectern.

Pure silk scarf by Hermes, 43X43 cm, designed by Henri d'Origny and produced for the first time in 1974, still in production today in the 90x90 version. Spurs, stirrups, rein buckles and whips are depicted in gold on a white background and blue frame.

57 x 42 In

Senneh carpet in cotton and wool, fine knot. Manual manufacturing.

Germany, Mid XX Century

White porcelain amphora vase with handles in the shape of fantastic animals and leaf volutes. Workmanship mark under the base.

Provence, Mid XIX Century

Cupboard supported by bracket feet, on the front it has two doors framed between uprights carved with twisted columns and separated by a floral festoon; in the under-counter area, alternating with shelves, there are two drawers that can be opened by unlocking the mechanism on the sides. The upper body also has two paneled doors alternating with the same motifs found in the lower part, surmounted by a band carved with phytomorphic Greek.

Three Drinkers and an Angel 1942

Mixed media on board. Signed lower right. On the back further signature, title and date. Beppe Porcheddu, an important Italian illustrator and ceramist, was also a painter. In his evolutionary artistic path "it would seem that the artist has poured "the illustrator" into the painter and vice versa "the painter has prevailed in the illustration". From his first production, alongside his aptitude for the grotesque, Porcheddu showed a natural inclination for what was defined as a "perfect trio of symbols of a world (the medieval one) that expressed itself through metaphors like no other previous civilization" . In this panel, that tendency towards the grotesque is well expressed in the figures of the three drinkers, presented with crude features, clear lines and marked angles, while the figure of the angel appears evanescent, blurred, framed in the single light that comes from the open door.

Coffee table of Italian manufacture in wood with double top, restored in our workshops.

Italy, XX Century

Balustrade in style with uprights in the shape of powerful columns carved with baroque motifs, partially lacquered and gilded; central part in wrought iron.

Oil painting on canvas. The Madonna holds the Baby Jesus in her arms, and both hold the rosary crown, an invitation to Marian devotion. Above, angels appear from the open skies. The painting has previously been restored and relined; some small drops of color along the edges. It is presented in a contemporary frame.

Deco-style coffee table of Italian manufacture with wooden legs and black glass top.

England, XX Century

Large extendable table supported by turned and carved legs, equipped with castors; in mahogany, the extensions are missing.

Italy, 1940s

Brass chandelier, with large opaline glass light; 6 arms branch out from the structure to support the same number of lights, with glass bobeches.

Dark brown leather handbag signed Roberta di Camerino, dating back to the 1950s/60s. It is a very particular article, with handles made of golden metal with horse faces. The leather shows signs of aging.

103 x 75 In

Bukhara carpet in cotton and wool, fine knot, manual production.

Vintage ceiling lamp made of opaline glass with white enamelled metal frame.

Pure silk scarf by Nina Ricci. The conditions are good, with the exception of slight marks which do not preclude its use.

England, Early XIX Century

Pine armchair with carved and recessed backrest, shaped armrests and padded seat. Legs connected by crosspieces. England, early 19th century

Italy, XX Century

Mirror in embossed sheet metal worked with leaf and curl motifs in Baroque style.