Coffee table with storage compartment and glass top. Ebony stained beech wood, transparent glass with decorations.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Pure Silk

Pure silk scarf made with Etro's iconic paisley print, in various color shades, including black, green, mustard, turquoise and salmon.

Italy, Early XX Century

Wrought iron perch painted in polychrome with vegetal motif decorations. Podded copper basin.

Size 10

Elegant pinstripe suit in dark gray wool blend, consisting of jacket and skirt. The single-breasted jacket, with one button fastening, is slightly fitted, also provided with pleats that create a play of stripes in the pinstripe print. Simple and elegant model skirt.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

Japan, First Half XX Century

Pair of ceramic vases with flower, peony and figure decorations.

UK Size 14

Sheath dress designed by Emanuel Ungaro for the parallel line. It is a current model, elegant in black lace, draped on the bust, flexible boning on the sides and a back zip. Fits today's Italian size 46 (length 74 cm, waist 80 cm, bust 93 cm).

110 x 43 In

Bidjar carpet in cotton and wool, manual production, large knot.

86 x 45 In

Karabakh wool carpet, fine knot, manual production.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

Oil painting on canvas. Italian school of the 17th century. The Saint is depicted inside his study, intent on reading and studying the sacred texts, but in penitential garb, i.e. clad only in a red cloth draped around his naked body. The painting, relined, has a significant crack; It is placed in a contemporary gilded wooden frame.

Double Set with Two Pillowcases Elegant reverse side encrypted "AP" embroidered in satin stitch and Rhodes stitch Pillowcases with button fastening White color Linen composition Sheet dimensions 272 cm x 264 cm Pillowcases 82 cm x 46 cm

France Late XIX Century

Oval neorenaissance extendable table in silver fir, France late XIX century. Leafy carvings, rosettes and heads of mythical animals from which a group of fruits emerges. Curl-shaped legs culminating in acorn-shapes feet. Silver fir structural elements.

Mixed Silk

Scarf in silk and viscose blend, in iridescent dove gray fabric, with abstract pattern on a black background. Soft and velvety to the touch.

Oil painting on canvas. Central Italian school of the 17th century. In its pictorial style, the painting recalls the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a painter, copyist, restorer, but also a pasticheur and connoisseur of art, i.e. creator of paintings "in the manner of"- in “technique” and in the “style” of a specific artistic period or of a specific author, even assembling “parts” taken from different paintings. Initially Caravaggesque, Il Caroselli later developed his own personal artistic language, which was copied by many minor artists. In this work the fixed and almost exasperated expressiveness of the character stands out, whose elegance of the seventeenth-century dress and the almost feminine features of the face with its rosy complexion contrast with the crudeness of Goliath's head, bloody, with the large stab wound that stands out against the mortal pallor. The painting has been restored and relined, retaining the original wooden frame. It is presented in a contemporary wooden frame.

Lombardy early 19th century

Bedside table veneered in maple, inlaid with various essences on the top and front to form curls and equally edged on the sides. Openable top and front to simulate two drawers without chain of which only the first can be opened "with door" concealing the internal lining in fabric. Shaped band under the top, truncated pyramid feet. Lombardy early 19th century

Naples, Late XIX Century

Chest of drawers in mahogany veneer and mahogany feather on the front, Naples third quarter 19th century. White marble top, front with four drawers, one of which in the band, uprights at forty-five degrees with pilasters decorated with a rococo style element, carved floral and leaf festoons. Lower plinth section. Poplar interior.

Oil painting on canvas. Italian school of the 17th-18th centuries. A large composition of colorful flowers, in embossed metal vases, and some fruits scattered on the ground, are placed close to a wall overlooking a maritime landscape: the brightness of the sky and sea on the right contrasts with the shaded area on the left, on which the colors of the flowers stand out. The painting, relined and restored, has a significant crack. It is presented in a contemporary lacquered and gilded frame.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.