Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Ceiling lamp with 3 pendants in colored glass and teak wood.

Shop counter with enamelled metal base, wooden slats and adjustable brass feet, top with open compartment and drawer on one side, Walnut veneered wood, reserves and top in birch-effect Formica, ebonized wood profiles. (also available with other sizes).

Europe, Early XX Century

Pair of chased, embossed, engraved and finely chased silver candlesticks with plant motif decorations. Engraved silver mark under base. Grams 1630.

Elegant Italian-made furniture from the 1940s and 1950s, veneered in briarwood. It has a coat hanger compartment with mirrored door, open compartment with mirrored bottom, drawers of various sizes and compartments with flap and hinged doors. Bakelite handles.

Nothern Italy, Late XIX - Early XX Century

Sideboard with Art Nouveau upper part made of larch wood, Northern Italy late 19th - early 20th century. Riser with three-door front with artistic stained glass panes; sideboard body with marbled-effect lacquered top, front with pair of side doors and row of six central drawers. Decorated with carvings depicting fans and lozenge elements.

Europe, Late XIX Century

Group of six neo-Renaissance chairs of European production, beech structure and chestnut seat, front crosspiece and carved backrest.

Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.

Pair of Italian-made armchairs, 1950s, with wooden structure, seat with original fabric and foam padding.

Italy, Early XX Century

Pair of neo-Renaissance style headboards in lacquered and painted wood, Italy early 20th century. The shaped and lacquered upper section is decorated with a family coat of arms placed in the centre, further embellished by lateral festoons held by bows. The lower section is upholstered and covered with fabric in vertical stripes.

116 x 98 In

Ardebil carpet in cotton and wool, fine knot; manual manufacturing.

Iconic swivel armchair with ottoman designed by Charles Eames and produced by Herman Miller. It features an enamelled aluminum base, an exotic wood shell, foam padding and white leather upholstery. In excellent original condition and complete with the ottoman, it bears the production mark.

English Draft Horse

Oil on cardboard. signed lower left. Joseph Dixon Clark stood out for his production of landscapes and figures of the English rural world; horses appear in particular, especially draft horses, like this beautiful animal, portrayed in its power and strength. The painting is presented in a contemporary frame.

Two wall lamps in the style of Flavio Poli for Seguso, with chromed metal structure, very thick smoky green Murano glass lampshade.