Italy, late 19th century.

Pair of painted wrought iron torch holders, resting on a tripod base, featuring gilded bronze inserts. Lampshades in burgundy fabric and embroidery. Italy, late 19th century.

China, Last Quarter XX Century

Pair of porcelain table lamps decorated with plant and animal motifs on a black background. Fabric lampshade.

20th Century France

Pair of nautilus shells in clear and blue crystal. Scratched manufacturer's mark on the base.

Italy, XX Century

Four-light style chandelier with metal structure, 20th century Italy. Structure adorned with rosettes and leaf elements in golden sheet metal. Glass inserts and pendants.

Italy, Mid XIX Century

Mid-19th century walnut daybed, Italy. Turned backrest crosspiece, front armrest carved with the figure of a griffin, curled feet. Backrest and seat padded and covered in damask fabric. Removable backrest.

Ceiling/wall lamp in chromed metal and glass.

3 seater sofa, spring padding, velvet upholstery.

Spain 1992

Bronze sculpture depicting a young man selling newspapers. Cubic base in travertine. Signature of the author and year of creation engraved on the left bottom of the garment.

Italy, Early XX Century

Neo-Renaissance style table lamp with central light, Italy, early 20th century. Iron and sheet metal structure, frosted glass lampshade. Decorative apparatus composed of leaf elements, curls and a dragon placed on the stem.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

Oil painting on canvas. Italian school of the 17th century. The Saint is depicted inside his study, intent on reading and studying the sacred texts, but in penitential garb, i.e. clad only in a red cloth draped around his naked body. The painting, relined, has a significant crack; It is placed in a contemporary gilded wooden frame.

Oil painting on canvas. Central Italian school of the 17th century. In its pictorial style, the painting recalls the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a painter, copyist, restorer, but also a pasticheur and connoisseur of art, i.e. creator of paintings "in the manner of"- in “technique” and in the “style” of a specific artistic period or of a specific author, even assembling “parts” taken from different paintings. Initially Caravaggesque, Il Caroselli later developed his own personal artistic language, which was copied by many minor artists. In this work the fixed and almost exasperated expressiveness of the character stands out, whose elegance of the seventeenth-century dress and the almost feminine features of the face with its rosy complexion contrast with the crudeness of Goliath's head, bloody, with the large stab wound that stands out against the mortal pallor. The painting has been restored and relined, retaining the original wooden frame. It is presented in a contemporary wooden frame.

Italy, XX Century

Garden statue in grit depicting Diana the huntress, Italy, 20th century.

Italy, XX Century

Pair of Baroque style beds supported by wavy feet, they are veneered in quadripartite mahogany and inlaid on the footboard with floral motifs; they are adorned with gilded bronze shoes and applications and a brass frame.

Italy, XX Century

Large chandelier with metal structure, richly adorned with crystal pendants and necklaces; It features three stages each with 18 lights, with glass booths.

18th Century / 1701 - 1800

Brass alidade for a praetorian tablet, consisting of a flat rod, called a ruler, at the ends of which two pinnules with a pin for locking are hinged. Contained in an original leather and suede case on the inside.