Ceiling/wall lamp, in enamelled aluminium.

Size 42

Tunic dress in pure patterned silk. The front side is characterized by a play of geometric prints, vertical and horizontal lines of various thicknesses, polka dots and diamonds; the back recalls the striped print of the front on the sleeves and bottom while, on the back, it features a Prince of Wales weave print.

Italy, XX Century

Six-light metal chandelier, adorned with pendants, necklaces and glass beads.

In the Sheepfold, 1857

Oil on wooden board. Signed and dated in the center of the left margin. On the back there is a label from an art exhibition held in Sondrio in 1966 and one from the Martina art gallery in Turin. Eugène Verboeckhoven, a Belgian artist, distinguished himself for his paintings of animals, inserted into landscapes or placed in the interiors of stables. He belonged to that school of artists who, starting from the observation of nature, created compositions studied in detail, idealized reproductions of reality. Thanks to his dexterity in depicting animals, many artists called on him to enrich their works with some of his animals and figures. Between 1841 and 1842 he visited Italy, Switzerland and Scotland. The work presented here, an interior of a sheepfold with sheep and chickens scratching around, is presented in a period frame.

Piedmont, Late XIX Century

Showcase supported by feet of which the front ones are turned, on the front it has a pair of doors with mirrors visible through the perforated design, two drawers in the under-counter band; riser with two glass doors and shaped cymatium. In walnut.

Central Italy, Late XVIII Century

Neoclassical dresser supported by truncated pyramid legs with brass feet, on the front it has two drawers. Veneered in cherry, it is decorated on the front with baroque-style inlays; poplar interior.

Chest of drawers in exotic wood veneer with brass handles. Restored.

UK Size 14

Pure silk shirt by Ungaro. It dates back to around the 80s and has a loose fit, slightly batwing three-quarter sleeves with a narrow cuff, and a particular collar.

The Violin Player

Oil painting on canvas. Signed lower left. The Milanese artist, son of the famous painter Alcide Davide Campestrini, dedicated himself to still life, figure painting and Alpine landscapes, with a technique linked to his father's school and the late nineteenth-century tradition. painting presented in a contemporary frame.

Italy, Late XIX Century

Parade plate in polychrome majolica manufactured by Castelli, with a scene depicting mythological subjects Diana and Endymion.

Italy, Mid XX Century

Silver and crystal sugar bowl with teaspoon. Silver and manufacturing marks engraved under the base, on the lid and on the spoon. 200 grams.

Aladin scarf in blue and yellow ocher in pure silk, designed for Hermès in 1972 by Marie-Françoise Hero. It is in good condition, although it has some signs that do not preclude its use.

Emilia Romagna, Early XVIII Century

Baroque Emilian sideboard in walnut from the early 18th century with subsequent reductions and modifications. Top and front decorated with metal studs, two drawers in the band, pair of doors. Sides embellished with reserves. Poplar interior.

Italy, Late XIX Century

Umbertine sail table supported by a central baluster with four feet carved in a curl and with shell motifs; in walnut.

Oil painting on canvas. Large portrait of a priest who, wearing vestments, is kneeling in contemplative prayer in front of the Crucifix, placed on an altar. Behind him on the right there is a glimpse of the town. The light of the Cross radiates on the face of man. Restored and relined, it is presented in a late 19th century frame.

Italy, Early XX Century

Large copper basin with wrought iron support.

Table lamp, chromed metal base, white glass and enamelled aluminum diffuser.

Mixed media on cardboard. Portrait of a young woman who appears to be in mourning, both due to her completely black clothing and her sad and understood look. Painted in the style of the early 1900s, a period to which the woman's dress also refers. At the bottom right there is an undeciphered signature. It is presented in a stylish frame.

Italy, Mid XIX Century

Louis Philippe Étagère in walnut, Italy, mid-19th century. Equipped with four support surfaces and four turned pinnacles placed on the top surface, the latter connected by strips to form a railing. Turned uprights and feet. Small shortcomings.