Size 18

Jacket with light padding in Thermore fabric, excellent for mid-season, with a casual line. The garment has a single-breasted lacing with 4 buttons, collar and four front pockets.

Italy First Half of the 18th Century

Marble bowl.

Murano XVIII Century

Pair of Murano glass sugar bowls, Murano 18th century. Fruits in colored glass placed at the top of the lid, applied handles. Smaller spun glass sugar bowl.

Murano, Late XVIII Century

Group of 4 Murano glass goblets of different sizes, Murano late 18th century. Colorless glass decorated with white and colored spyrals filigree bands placed on the stem.

Third Quarter XIX Century

Game table supported by a central turned baluster supported by four wavy carved legs ending with curled feet; the top can be opened like a book with an imitation leather insert and conceals the compartment below. In mahogany, the interiors are in poplar.

Italy, Early '900

Parade plate in polychrome glazed ceramic in the Neo-Renaissance style. Grotesque decoration on the brim and mythological scene in the center.

Italy, Early '900s

Platter in glazed ceramic in the neo-Renaissance style. Grotesque decoration on the brim and mythological scene in the middle part.

Spain 1992

Bronze sculpture depicting a young man selling newspapers. Cubic base in travertine. Signature of the author and year of creation engraved on the left bottom of the garment.

China, Ming Era (1368-1644)

Longquan vase with baluster shape and celadon-colored background, finely engraved in bands, in the upper part with plane tree leaves motifs, side grips in the shape of stylized clouds. Central and lower band with plant racemes.

1960s-70s

Bird in engraved 925 silver and worked with silver threads in the Buccellati manner. Marks of the silver and of the manufacture under the right wing. 150 g

Oil painting on canvas. Venetian school of the late 18th century. The large painting tells the evangelical episode of the meeting between Saint Elizabeth, pregnant with John the Baptist, and Mary, waiting for Jesus, but inserted in a larger choral scene: it is placed on a large staircase, probably that of the temple in where Zechariah, Elizabeth's husband, was a priest, and a crowd of figures, and is animated by a crowd of figures, among which several women with children and families stand out. Detail in the foreground on the left is the figure with a little boy attached to his legs, who looks towards the viewer, indicating with a broad gesture of his arm the central event, the meeting between the two holy women. The colors stand out, which according to the Venetian pictorial tradition, are founding elements of the scenes, which underline the figures and fade into the different three-dimensional planes. Relined and restored, the canvas has a slight crack on the left. It is presented in a gilded frame from the late 19th century.

Sideboard, also usable from the centre, with hinged opening and visible drawers, in exotic wood veneer.

Paris, 1818 ca.

Horse, one of nine sculptures depicting animals of different species, entirely covered in fur; each animal rests on a wooden base, three of which have a label underneath which indicates the name of the author, Fratin, naturalist. The animals represented are quadrupedal mammals: bison, bovine, cow suckling the calf, horse, elk, ibex, tiger, lion, bear.

Vintage Italian-made ceiling lamp made of lacquered metal with three light points at different heights characterized by a smoked glass lampshade and brass structure.