France, 1980s-1990s

Ashtray Emanuel Ungaro Sasaki Crystal Japan. Adhesive manufacturing label on the internal edge and trademark under the base.

Size 10

Double-sided bomber-style jacket: blue synthetic fur on one side and stars and stripes print on the other. cuffs and collar in blue wool. Fits Italian size 40/42 (length 56 cm, shoulders 45 cm, waist 87 cm)

Penci, charcoal and white lead on paper. Signed E. Bianchi at the bottom left. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait comes in a 19th century wooden frame decorated with leather leafy and floral inserts; it shows small color drops and missing parts.

Plato and Aristotle

Mixed media on canvas. Signature, title, date and dedication on the reverse. Paolo Baratella, a recently deceased artist from Ferrara, developed his art by composing vast pictorial cycles inspired by contemporary subjects; we therefore have series of works by him gathered under significant titles. From the mid-1980s and into the 2000s, his scenographic apparatuses became more enriched with cultural, pictorial and literal iconographic references. In particular, Baratella pays greater attention to the iconography of art, philosophy and history. In this work the artist presents the portraits of the two great Greek philosophers (taken from their traditional classical depictions) and shades them in a frame of pink-blue colours. The two individual canvases are placed side by side inside a worked wooden frame, on whose two horizontal crosspieces the words "Timaeus" a work written by Plato, and "Ethics", a recurring theme of Aristotelian philosophy, are engraved.

UK Size 14

80s dove gray wool jacket. Size 46 (length 81 cm, shoulders 47 cm, waist 92 cm). The conditions are almost perfect: the inner lining of the sleeves is marked.

Size 46

Men's jacket in blue wool and cashmere blend, with shawl collar. The front side is made with a smooth texture while the back and sleeves are ribbed. The inside of the latter and the front side are lined, for greater protection from the cold. Two pockets.

18th Century / 1701 - 1800

Early 18th century chest in walnut.

18th Century / 1701 - 1800

Piedmontese drop-leaf secretaire supported by shelf shaped feet; it has 3 frontal drawers surmounted by a folding door that hides drawers and a central open compartment. Veneered wood with Bois de violette threads, poplar interiors and walnut internal compartments.

18th Century / 1701 - 1800

Centre Italian cupboard supported by shelf shaped feet; it has 2 framed doors, 2 pull out surfaces in the undertop band that support the folding door that hides drawers and compartments. The upper body has a paneld door. Walnut with poplar interiors; it had gone through restoration works to straighten the lower doors; the tympanum shped cimatium had been added later

Double bed, exotic wood veneer and Ebony stained solid wood.

Italy late 17th early 18th century

Baroque chest of drawers in walnut with top bearing an inlay with wind star in the center made up of various essences and borders, front with three drawers decorated with simple folders, one of which bearing replaced parts, carved uprights and shelf feet. Handles replaced, two locks missing and one non-coeval. Poplar interior, alterations and embellishments in the external parts. Italy late 17th early 18th century

Figures with Autumnal Still Life

Oil painting on canvas. The H.Sanders signature is present on the barrel at the bottom left. The scene, set outdoors in a street of a Flemish city, with the canal in the background on the left, sees in the foreground a vegetable seller behind her stall, which is set up with a varied composition of winter vegetables, a composed still life from cauliflowers, cabbage, carrots, corn on the cob; next to the woman, a passer-by carrying a harpoon on his shoulder is offering her some fish, evidently the fruit of his catch that he wants to sell. The setting brings to mind Amsterdam, the city where the Dutch painter Hercules (or Herkules) Sanders was born and lived, who established himself mainly as a portraitist, but of whom an interior genre scene is known, currently at the Detroit Institute of Arts, dated 1647 and entitled "Woman cleaning fish", whose female figure closely resembles the seller of the work presented here. Restored and relined, the painting is presented in a period frame.

Oil painting on canvas. Flemish school of the 17th-18th centuries. The large scene takes place in a vast Nordic landscape, within a forest full of twisted plants, and on the right a city surmounted by rocky peaks. Inside the woods a large group of figures, popular but also high-ranking figures, all in oriental clothes, who form a circle around John the Baptist, portrayed in his traditional iconographic costume (dressed in skins, with the staff surmounted by the Cross and wrapped in the scroll, a little lamb at his feet): John's gaze is turned upwards, in line with a bird flying above the treetops, a symbolic representation of the Holy Spirit who inspires the preacher's words. Restored and relined, the painting is presented in a late 19th - early 20th century frame.

France, Late XIX Century

Majolica tulip holder with polychrome grotesque decorations.

Armchair, spring padding, imitation leather upholstery, exposed stained beech wood. An armchair to be revisited to make it suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that includes: restoration of the wooden part, replacement of the padding and fabric by choosing from our different samples.

Cherubs playing with cards

Oil on canvas. The depicted scene is set in a closed environment with a wide window which provides a glimpse of landscape. Three cherubs are sitting on benches and they are playing with cards, trying to build a castle. The painting has been restored. 18th century.

China, Early XX Century

Porcelain saucer painted in blue undercover with Indian lotus flower decoration and plant racemes. Seal mark on the bottom.

Owl 1994

Bronze bas-relief. Signed lower left, initials AG upper right. On the back of the panel, there is the name, title and date of the work. Achille Guzzardella, a Milanese sculptor-painter, is particularly renowned for his sculptural portraits of well-known personalities from the Italian art world. Among others, he portrayed Vittorio Sgarbi, who called him 'the fighter of clay' and also 'Achille who paints with his soul'. Eclectic and refined, he has also created other subjects, using different techniques. Oneiric in his oil painting and always close to man in his sculptural work, Guzzardella fascinates art lovers with his concreteness expressed through his personal formal research.

19th Century / 1801 - 1900

Empire console supported by plinth-shaped rear pillars and tapered frontal ones; walnut with green marble top.

Vintage Italian-made wooden desk with glass top, two drawers and brass feet. Exotic wood.