Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.

Genuine Leather

Shoulder strap in soft hammered red leather. The item features an external front pocket with the Parisian brand's logo and, inside, one with zip and two small ones. Adjustable shoulder strap. Lined interior.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

Italy, 1850 ca.

Sculptural group in porcelain depicting a horse-drawn chariot led by a mythological figure. Manufacturer's brand under the chariot.

Bergamo, Early XVIII Century

Chest of drawers with front with 4 drawers decorated with walnut briar, cherry wood inlays and maple threads, uprights carved to depict caryatids with children's faces and inlaid bracket feet. Bergamo early 18th century

18th Century / 1701 - 1800

Brass alidade for a praetorian tablet, consisting of a flat rod, called a ruler, at the ends of which two pinnules with a pin for locking are hinged. Contained in an original leather and suede case on the inside.

China, Last Quarter XX Century

Pair of porcelain table lamps decorated with plant and animal motifs on a black background. Fabric lampshade.

Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

Oil on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a young man in arms, accompanied by his mother, who supports his plea. The setting is inside the reception hall of the high prelate, presumably in the bishop's palace, which from the loggia in the background overlooks the Cathedral, whose dome can be glimpsed; the bishop is surrounded by his subordinates and guards, while different people of the people attend. Particular is the presence of the man sitting in the foreground on the left, who looks towards the viewer and points to the scene, as if he were telling it. The atmosphere is played on the contrasts between lights and shadows, between the bright colors of the dominant characters compared to the dull and suffused tones of the surrounding figures, who literally tend to disappear into the shadows at the limits of the scene. The work is part of that large nineteenth-century production that drew on the historical or literary subject, re-proposing it in a romantic key. The painting, restored and relined, is presented in an important frame from the second half of the 19th century, with some shortcomings.

Owl 1994

Bronze bas-relief. Signed lower left, initials AG upper right. On the back of the panel, there is the name, title and date of the work. Achille Guzzardella, a Milanese sculptor-painter, is particularly renowned for his sculptural portraits of well-known personalities from the Italian art world. Among others, he portrayed Vittorio Sgarbi, who called him 'the fighter of clay' and also 'Achille who paints with his soul'. Eclectic and refined, he has also created other subjects, using different techniques. Oneiric in his oil painting and always close to man in his sculptural work, Guzzardella fascinates art lovers with his concreteness expressed through his personal formal research.

Ceiling lamp; enameled metal, glass.

Vintage Mila Schön dress made with sand and coral pure flax.