Oil painting on canvas. The Madonna is depicted in glory, standing in the heavens and surrounded by little angels. The work, still on the first canvas, was applied on a modern stretcher: this fact, together with the incompleteness of the figure of Mary, suggests that the painting was part of a larger canvas. The painting is presented in a period frame.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Italy early XX Century

6-light restoration-style chandelier, made of partially burnished, silvered and gilded brass and bronze, Italy early 20th century. Decorated with leaves and stylized anthemes; crystal pendants.

Europe, Early XX Century

Glass vase with floral decoration with polychrome inclusions.

Oil on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a young man in arms, accompanied by his mother, who supports his plea. The setting is inside the reception hall of the high prelate, presumably in the bishop's palace, which from the loggia in the background overlooks the Cathedral, whose dome can be glimpsed; the bishop is surrounded by his subordinates and guards, while different people of the people attend. Particular is the presence of the man sitting in the foreground on the left, who looks towards the viewer and points to the scene, as if he were telling it. The atmosphere is played on the contrasts between lights and shadows, between the bright colors of the dominant characters compared to the dull and suffused tones of the surrounding figures, who literally tend to disappear into the shadows at the limits of the scene. The work is part of that large nineteenth-century production that drew on the historical or literary subject, re-proposing it in a romantic key. The painting, restored and relined, is presented in an important frame from the second half of the 19th century, with some shortcomings.

East, XIX-XX Century

Terracotta statue decorated in polychrome.

Oil on panel. Northern European school of the late 19th century. In the composition inside a shed, hunted game lies on a level; on the left the muzzle of the hunting dog appears but is turned towards a nest full of chirping birds, located above the shaft of the carriage seen on the right. The painting is presented in a period frame.

Italy, Late XIX - Early XX Century

Fir table supported by four turned legs, has a drawer in the under-top band.

Wall mirror mounted on a wooden frame with a colored mirrored glass frame.

Coffee table with double top; walnut veneer.

Lombardy Second Quarter 19th Century

Pair of restoration chairs in walnut, Lombardy second quarter of the 19th century. Open back with central folder, decorated with carvings of leaves, curls and anthems; grissinato seat front, saber-shaped rear legs, wavy front legs and embellished with carved leaf elements. Removable upholstered seats.

Ceiling lamp, blown glass.

Covertible sofa that can be transformed into a single bed. Teak wood, foam padding, fabric covering. A sofa that lends itself to being revisited to make it suitable for an environment with a relaxation area, with an original style and a taste of times gone by. The product can be restored by our laboratory, with an intervention that involves resuming the polishing of the wooden part, replacing the padding and fabric by choosing from our different samples.

China Period of the Republic 1930 ca.

Baluster porcelain vase elegantly decorated in gold with figures of cranes, among pines and ornamental rocks. Lateral loops in the form of flowering plum branches. Wooden support.

Swivel armchair, enamelled metal base, foam padding, imitation leather upholstery.

Curiel. 1950s evening dress with satin and lace riverting. Two zips are hidden by a satin bow. The lace is ruined is some points but overall it is in good conditions.