Italy Second Half of the 20th century

Pair of two-flame silver candelabra with pods. At the base there are silver and incusi manufacturing marks. 730 grams.

Cabinets with sliding doors, teak wood veneer, fine brass handle, metal and brass legs. Restored.

Service trolley with folding structure in brass-plated metal, plexiglass shelves.

3 seater sofa, spring padding, velvet upholstery.

Ktichen trolley in curved plywood and walnut veneered wood tops.

England, First Half XX Century

Oak wood liquor box with metal studded applications. Inside compartments for bottles and glasses; on the front extractable drawer. Set of three cut crystal bottles with silver labels.

Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.

UK Size 12

Soprani jacket dating back to the 80s in linen with three-quarter sleeves, black exterior and sand interior. The fit is soft and adapts accordingly to different sizes: the length measures 75 cm, waist 106 cm, shoulders 44 cm. Very good condition.

One Size

Haute couture dress in cream-colored pure silk, embroidered with ton sur ton flowers, dating back to around the 1970s. Long fringes embellish the sleeves and hem of the dress. It can be considered a one size fits all: length 110 cm plus fringes, width 120 cm, shoulders 45 cm.

18th Century / 1701 - 1800

Two-bodied Neoclassical cupboard from Friuli, supported by truncated pyramidal feet tightened in the upper part by a collar, on the front there are two doors, two small doors on the half moon shaped sides. The shelf rests on a single-axis walnut top, supported by truncated pyramidal feet as well, with connecting nuts carved with rosettes; in the lower band there is a row of small drawers, surmounted by two doors with glass in the middle and as many doors placed on the sides at 45°. In walnut and amaranth with maple threading, the interiors are in spruce.

Ludovico il Moro's farewell to his wife..

Mixed media (pencil, pen, brown ink and white chalk) on paper. Italian school of the early 19th century. Ludovico Maria Sforza cries at the tomb of his young wife Beatrice d'Este (1475 -1497); around him the friars of Santa Maria delle Grazie and on his left Bramante and Leonardo. On the short side of the marble canopy of the tomb there is the Sforza coat of arms, with two snakes and two eagles. Il Moro was profoundly shaken by the early death in childbirth of his very young wife Beatrice, his companion in his private but also political life, as well as his husband's, a patron of the artistic geniuses of their court, such as Leonardo da Vinci. and Bramante, authors of many pictorial and architectural works of the Visconti-Sforza court. Various versions of this episode are known, especially from the nineteenth century, from that of 1815 by Giovanni Battista Cigola at the Pinacoteca Ambrosiana, to that of Alessandro Reati of around 1850. The painting is presented in a carved wooden frame from the late 19th century.

Bedside table with drawers, open compartment, smoked glass shelf in lacquered wood. Good condition.

Italy, 1950s

Cast ceramic sculpture with under-glaze polychrome enamels depicting a running girl. Author's signature painted on the base.

Wall lamp in chromed aluminum and Murano glass.

Duck Flight

Bronze sculpture. Signature engraved on the base. Gino Masciarelli, a sculptor originally from Abruzzo but who lived in the Milan area, after having also worked at the Experimental Center for Scientific Research “F. Marinotti” in Lombardy, dealing with high-frequency cinematographic shooting, learned to capture the instability of bodies in movement and the dissolution of matter in space in many of his works. In the sculptures "Human groups" and "Flight" - to which the work presented here belongs -, the dynamism of flight can be observed almost as if it were a photographic sequence. The artist himself said: "Only 8 seconds made an impression on 300 meters of film, the aim was to slow down what the human eye cannot see, I wanted to capture the movement and the projection of these seconds lasted a couple of hours".

71 x 51 In

Malayer carpet in cotton and wool, extra fine knot, manual production.

Italy, Late XIX - Early XX Century

Neoclassical style writing desk with glass top, walnut, oak interior and Moroccan top, tapered truncated cone legs, top with tapered columns and Doric capitals. Right drawer lock missing. Italy, late 19th, early 20th century.

86 x 49 In

Beluchi wool carpet, fine knot, manual production.