Floor lamp with reflected light in enamelled and chromed metal and enamelled aluminium.

3 seater sofa, spring padding, velvet upholstery.

UK Size 12

Soprani jacket dating back to the 80s in linen with three-quarter sleeves, black exterior and sand interior. The fit is soft and adapts accordingly to different sizes: the length measures 75 cm, waist 106 cm, shoulders 44 cm. Very good condition.

Italy, Late XIX Century

Group of 4 baroque walnut chairs, open backrest with floral and leaf carvings, wavy legs. Padded seat, recently redone, covered in eco-leather. Third quarter of the 18th century

UK Size 10

Cocktail dress from the Milanese atelier that recalls the style of 1950s shirtdresses. Made of light blue and white striped viscose crêpe, with large mother-of-pearl buttons. The garment has four pockets, two fake on the bodice and two inserted in the skirt. The tailored model wears a size 42 with the following measurements. Waist: 67 cm. Armhole: 50 cm. Shoulder width: 38 cm. Length: 125cm. It has some very slight halos, almost imperceptible.

Italy, Late XIX Century

Umbertine chest of drawers with a broken front with four drawers framed between uprights carved with leaf and plant motifs and a pair of female busts; marble top.

Genuine Leather

Shoulder strap in soft hammered red leather. The item features an external front pocket with the Parisian brand's logo and, inside, one with zip and two small ones. Adjustable shoulder strap. Lined interior.

Pair of vintage wall lamps made of anodised aluminium, steel and opal glass.

Spain 1992

Bronze sculpture depicting a young man selling newspapers. Cubic base in travertine. Signature of the author and year of creation engraved on the left bottom of the garment.

Italy, Early XX Century

Neo-Renaissance style table lamp with central light, Italy, early 20th century. Iron and sheet metal structure, frosted glass lampshade. Decorative apparatus composed of leaf elements, curls and a dragon placed on the stem.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

Italy, 1850 ca.

Sculptural group in porcelain depicting a horse-drawn chariot led by a mythological figure. Manufacturer's brand under the chariot.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

Oil painting on canvas. Italian school of the 17th century. The Saint is depicted inside his study, intent on reading and studying the sacred texts, but in penitential garb, i.e. clad only in a red cloth draped around his naked body. The painting, relined, has a significant crack; It is placed in a contemporary gilded wooden frame.

Oil painting on canvas. Central Italian school of the 17th century. In its pictorial style, the painting recalls the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a painter, copyist, restorer, but also a pasticheur and connoisseur of art, i.e. creator of paintings "in the manner of"- in “technique” and in the “style” of a specific artistic period or of a specific author, even assembling “parts” taken from different paintings. Initially Caravaggesque, Il Caroselli later developed his own personal artistic language, which was copied by many minor artists. In this work the fixed and almost exasperated expressiveness of the character stands out, whose elegance of the seventeenth-century dress and the almost feminine features of the face with its rosy complexion contrast with the crudeness of Goliath's head, bloody, with the large stab wound that stands out against the mortal pallor. The painting has been restored and relined, retaining the original wooden frame. It is presented in a contemporary wooden frame.

Italy, XX Century

Pair of Baroque style beds supported by wavy feet, they are veneered in quadripartite mahogany and inlaid on the footboard with floral motifs; they are adorned with gilded bronze shoes and applications and a brass frame.

18th Century / 1701 - 1800

Brass alidade for a praetorian tablet, consisting of a flat rod, called a ruler, at the ends of which two pinnules with a pin for locking are hinged. Contained in an original leather and suede case on the inside.

Italy, Early XX Century

Stove marked "Fratelli Pozzoli-Incino Erba" on the base with painted ceramic structure worked with liberty floral motifs, metal parts and "n1 La Brianzola" writing on the lower part. Italy early 20th century