Italy, Early XX Century

Pair of five-light Empire style sconces with burnished bronze structure; golden bobeches and underlying pine cone. Italy early 20th century

Pair of enamelled metal chairs, lacquered wood seat, rubber roller on the back.

Oil painting on canvas. Central European school of the second half of the 19th century. On the right is Werner's signature. The painting presents a pictorial accuracy in the face of the woman portrayed, complete and well defined, which is however not found in the lower parts, where the quick and not redefined brushstrokes can be seen. The canvas has slight color drops. It is presented in a late 19th century setting.

Italy, XVIII Century

Pair of majolica trees with polychrome floral decoration enriched by insects.

Italy, Early XIX Century

Oval gravy boat with polychrome majolica plate. Red carnation decoration typical of the Ferniani manufacture.

France, Late XIX Century

Small Napoleon III open desk with folding door, made of rosewood painted walnut, France third quarter 19th century. Upper shelf with raised railing and three drawers in the band, flap door concealing cabinet with drawers equipped with gilded bronze handles, removable secret compartment and cloth insert. The cabinet is veneered in maple briar and decorated with bois de rose borders. Carved legs embellished with reserves, curls and turned pinnacles, culminating with curled feet and connected by a crosspiece with a padded footrest. With the exception of the legs, the furniture is decorated with ash reserves. Maple and poplar interior.

In the Sheepfold, 1857

Oil on wooden board. Signed and dated in the center of the left margin. On the back there is a label from an art exhibition held in Sondrio in 1966 and one from the Martina art gallery in Turin. Eugène Verboeckhoven, a Belgian artist, distinguished himself for his paintings of animals, inserted into landscapes or placed in the interiors of stables. He belonged to that school of artists who, starting from the observation of nature, created compositions studied in detail, idealized reproductions of reality. Thanks to his dexterity in depicting animals, many artists called on him to enrich their works with some of his animals and figures. Between 1841 and 1842 he visited Italy, Switzerland and Scotland. The work presented here, an interior of a sheepfold with sheep and chickens scratching around, is presented in a period frame.

UK Size 14

Pure silk shirt by Ungaro. It dates back to around the 80s and has a loose fit, slightly batwing three-quarter sleeves with a narrow cuff, and a particular collar.

Italy, Late XIX Century

Parade plate in polychrome majolica manufactured by Castelli, with a scene depicting mythological subjects Diana and Endymion.

Cabinets with sliding doors, teak wood veneer, fine brass handle, metal and brass legs. Restored.

Service trolley with folding structure in brass-plated metal, plexiglass shelves.

3 seater sofa, spring padding, velvet upholstery.

Ktichen trolley in curved plywood and walnut veneered wood tops.

England, First Half XX Century

Oak wood liquor box with metal studded applications. Inside compartments for bottles and glasses; on the front extractable drawer. Set of three cut crystal bottles with silver labels.

Austria, 1925

Cup in polychrome glass. Pointed manufacturing mark on the base.

Set composed of a 2-seater sofa and coffee table in lacquered wood, foam cushions and upholstery with a particular original velvet from the period.

Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.