China, 1970s

Cylindrical porcelain vase decorated with phoenixes resting on an ornamental rock among peony flowers and trees. Upper band with ruyi scepter heads and stylized plane leaves on the base.

75 x 50 In

Mazlagan carpet in cotton and wool; manual manufacturing. Big knot.

Vicenza, Late XIX Century

Louis Philippe fireplace made in Vicenza, in walnut. It has tapered pilasters to support the upper carved band; Mercury mirror with frame carved with successive leaves and gilded.

Italy, Mid XIX Century

Pair of eclectic armchairs in carved, lacquered and gilded wood, Italy, mid-19th century. Wavy armrests ending in a curl, wavy legs; decorated with leaf and golden scroll carvings. Padded backs and seats.

Italy, Late XIX-Early XX Century

Wrought iron lantern, worked with neo-Renaissance style motifs.

111 x 83 In

Wool Kilim carpet, fine knot, manual production.

Female Figure, 1977

Mixed technique on paper. Signed lower right. On the back, the artist's autograph dedication, with the date. Liberatore uses different pictorial techniques, favoring human figures, in particular female figures or smoking trains departing in mysterious stations. His images of women are depicted with sensual faces and attitudes and often framed by particular hats. Critics have defined Fausto Maria Liberatore's painting as art made of realism and mystery. The work is presented in a frame.

UK Size 10

Stretch cotton trousers, with small front pocket. Stitching details on the leg length.

Misto Seta

Misto seta tie with a blue and light blue jacquard stripes motif. It is characterized by the different workmanship of the materials, in a play of drawings and glossy/ opaque tones very original. Made in Italy.

Dresser with mirror, in briar wood veneer, legs with carved decorations.

Italy, Late XIX Century

Pair of baroque style chairs, supported by wavy legs; they are carved with rocaille-style leaf motifs, lacquered and partially gilded. Padded shaped seat and backrest.

Italy, XX Century

Turned bust column, with shaft in Macchia Vecchia marble, while base and capital are in green Alpi marble.

Italy, Early XX Century

Neo-Renaissance style cabinet in carved fruitwood, Italy, early 20th century. Front with upper band decorated with a masonry motif, briar veneered flap door with carved cartouche in the centre, ribbed middle band and turned and roughened column uprights.

Italy, Late XIX Century

Pair of baroque style poufs, supported by wavy legs; they are carved with rocaille-style leaf motifs, lacquered and partially gilded. Padded seat.

Europe, Early XX Century

File cabinet in walnut wood and walnut root. On the front, double door opening and drawer with perforated brass handle. Inside compartments for documents and date display.

161 x 42 In

Malayer carpet in cotton and wool, fine knot. Manual manufacturing.

92 x 48 In

Kilim wool rug; big knot. Manual manufacturing.

France, Mid '900

Pair of Sèvres porcelain vases with love scenes painted in polychrome inside reserves and signed Gillet. On a cobalt blue background stand out the rich gold decorations with leaf volutes and plant motifs. The vases are mounted on gilded bronze and have side sockets. Under the base is the maker's mark.

England Second Quarter 19th Century

George IV trumeau in Mahogany, England second quarter of the 19th century. Shelf with pair of blown glass doors, rack and frieze with mirrored volutes with pair of applied gilded bronzes. Body with flap door concealing scarabattolo, equipped with Moroccan top and central compartment with inlaid vase within reserve and geometric frame; front with 4 drawers, pullers and shelf feet. Decorated with maple purfling and pair of reserves with shell inlaid in maple and green-stained maple. Interior oak, fir and mahogany slab. Restorations and replacements; the shelves of the riser are missing.

England Late 19th - Early 20th Century

3-light gilt bronze chandelier with wedgwood ceramic inserts, England late 19th - early 20th century. Glass pendants.