Italy Mid-18th century

Portable wooden altar with double door opening. Inside is a pair of carved and gilded candle-holding arms. In the central background, carved and gilded Holy Spirit. Small drawer at the base.

Italy 18th century

Carved and gilded wooden torch holders. Restored in the gilding in the posthumous era.

Wall mirror with chromed metal frame and mirrored glass.

19th Century / 1801 - 1900

Late 19th century Neo-Renaissance chandelier in carved and gilded wood.

Oil painting on canvas. Signed Parlaghy K. lower left. It is a copy (of almost identical size) of the large painting created in 1882 by the Hungarian painter János Jankó (1833 -1896), preserved in the National Gallery in Budapest. The large scene sees a wedding procession on the move, with the bride's carriage in the centre, all festively decorated, followed by the carriages with guests and instrumentalists; some soldiers on horseback accompany the procession, an escort of honor indicating that the groom is an important person. On the ground, on the left, lies the lifeless body of a young man that the bride desperately tries to reach, trying to throw herself off the wagon, but is immediately stopped by some soldiers of the escort: perhaps the woman, headed for an arranged marriage with a another man (as Hungarian tradition allowed for a long time), discovers the body of his true lover who, out of desperation, took his own life, as the gun he holds suggests. The painting is presented in a period frame.

Highboard with hinged doors, exposed drawers and flap for the bar compartment. Solid wood and Teak veneer. Completely restored.

Oil painting on canvas. Central European school of the late 19th century. The Madonna sits on the throne, with Jesus asleep on her lap; on both sides a group of little angels, dressed as children of different ages, play instruments and sing: their concert is perhaps the lullaby that accompanies the sleep of the Divine Child. The scene is depicted painted in a marble altar, on whose side balustrades the angels are placed; behind Mary there is a lunette with a starry sky, while at her feet there is a dove and olive branches, symbols of peace. The work is presented in a period frame.

19th Century / 1801 - 1900

Louis Philippe lectern resting on a four-armed base equipped with wheels and supported by a turned baluster; adjustable in height via a mechanism consisting of an iron spring and wooden ring. In mahogany.

Early, XVIII Century

Baroque walnut bench, Italy, early 18th century. Shaped backrest molded on both sides.

Italy, XX Century

Four-light style chandelier with metal structure, 20th century Italy. Structure adorned with rosettes and leaf elements in golden sheet metal. Glass inserts and pendants.