Italy, Early XIX Century

Empire column bedside table in walnut, Italy first quarter of the 19th century. White marble top, column shaft with fluted motif equipped with door and internally with drawer and support shelf; resting on a square base. Poplar and fir interiors. Marble top replaced.

Large desk with aluminium base, top with small drawers, exotic wood veneer.

Group of four chairs with solid beech wood frame, leather seat and backrests.

Lombardy, Mid XVIII Century

Large double body decomposable sideboard, in fir and poplar, made from a large piece of furniture, probably lacquered, which lined a living room and served as a bookcase. The lower part protrudes from the upper part to which it is connected thanks to the inclined drawers. Lombardy, mid-18th century

Bergamo, Early XVIII Century

Baroque chest of drawers supported by bracket feet, on the front it has three drawers and is richly carved with curlicue and phytomorphic motifs, the chains are decorated with a leaf bundle frame; the grotesque masks that act as handles were added in the 19th century and cover the original carved decoration. In walnut, the interiors are in fir; present restorations, the locks have been replaced.

Piedmont, Late XVIII Century

Directoire table in walnut supported by trophopyramidal legs, top replaced, extensions added later. Piedmont, late 18th century.

Italy, Late XVIII - Early XIX Century

Two bedside tables similar in structure, but different, are supported by high legs, on the front they have a drawstring opening door and a drawer placed under the top; shelf finished with wooden frame. In walnut.

Italy, Early XX Century

Garden statue in grit depicting the allegory of summer, Italy, early 20th century. The female figure, dressed in ancient style, holds a bundle of ears of corn. Resting on a capital base decorated with volutes and phytomorphic elements.

Italy, Early XX Century

Silver tray with embossed and chiseled decoration of masks and leafy scrolls. Silver mark incised on the wavy edge. 680 grams.

Oil on canvas. German school of the mid-20th century. At the bottom right is the signature W. Purschke and the location Munchen. The scene is set inside the study of a high prelate: sitting at his desk he listens to two men who show him a route on a map; at the top left is placed on a shelf a model of a ship: perhaps the bishop is also the owner of the ship, who discusses the next trip with its owner. From the window, closed by a worked grille, you can glimpse the village, with houses with a characteristic Nordic appearance. The painting is presented in a period frame.