T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

19th Century / 1801 - 1900

Console in French neoclassical style with top in breccia, carved in all its parts and partially highlighted in gold; lion feet. The two front legs have lion heads carved at the point of connection with the undertop band. Made of oak.

20th Century / 1901 - 2000

Big trumeau assembled with antique wood. The sides are notched and serpentine, the front has a double serpentine shape and four drawers. It has a drop-down openable door which conceals a small compartment with two drawers. The upper part has two shaped doors with mirrors and a tall carved cymatium with mirror. Inside inlaid compartment with three drawers. Ebonized frames.

Oil painting on canvas. Italian school of the 17th century. The Saint is depicted inside his study, intent on reading and studying the sacred texts, but in penitential garb, i.e. clad only in a red cloth draped around his naked body. The painting, relined, has a significant crack; It is placed in a contemporary gilded wooden frame.

Northern Europe, Late XIX Century

Wooden trunk covered in leather, adorned with studs.

Oil on Hardboard. On the reverse there is an inscription in pencil with the date "29 June 1931" and the signature Amos Campaioli. The large country landscape, with leafy trees and a pond, sees in the foreground a lady on horseback flanked by a man with his dogs. The painting is presented in a wooden frame, covered on the front with gilded stucco.

Double Set with Two Pillowcases Elegant reverse side encrypted "AP" embroidered in satin stitch and Rhodes stitch Pillowcases with button fastening White color Linen composition Sheet dimensions 272 cm x 264 cm Pillowcases 82 cm x 46 cm

France Late XIX Century

Oval neorenaissance extendable table in silver fir, France late XIX century. Leafy carvings, rosettes and heads of mythical animals from which a group of fruits emerges. Curl-shaped legs culminating in acorn-shapes feet. Silver fir structural elements.

Mixed Silk

Scarf in silk and viscose blend, in iridescent dove gray fabric, with abstract pattern on a black background. Soft and velvety to the touch.

Single Bed sheeth with a pillowcase Delicate reversine embroidered with lily hem Pillowcase with button closure Ivory color Linen composition Dimensions Sheet 272 cm x 178 cm Pillowcase 84 cm x 49 cm

Naples, Mid XIX Century

Console in mahogany and Louis Philippe mahogany slab with raised tilting mirror, Naples mid-19th century. Shaped white marble top, drawer in the band, legs connected by cross-piece. Richly carved with rocaille-style motifs, including curls, shells and leaf elements. Poplar interior.

Oil painting on canvas. Central Italian school of the 17th century. In its pictorial style, the painting recalls the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a painter, copyist, restorer, but also a pasticheur and connoisseur of art, i.e. creator of paintings "in the manner of"- in “technique” and in the “style” of a specific artistic period or of a specific author, even assembling “parts” taken from different paintings. Initially Caravaggesque, Il Caroselli later developed his own personal artistic language, which was copied by many minor artists. In this work the fixed and almost exasperated expressiveness of the character stands out, whose elegance of the seventeenth-century dress and the almost feminine features of the face with its rosy complexion contrast with the crudeness of Goliath's head, bloody, with the large stab wound that stands out against the mortal pallor. The painting has been restored and relined, retaining the original wooden frame. It is presented in a contemporary wooden frame.

Naples, Late XIX Century

Chest of drawers in mahogany veneer and mahogany feather on the front, Naples third quarter 19th century. White marble top, front with four drawers, one of which in the band, uprights at forty-five degrees with pilasters decorated with a rococo style element, carved floral and leaf festoons. Lower plinth section. Poplar interior.

95 x 65 In

Gouchan wool carpet, large knot, manual production. Very good condition.

Italy, First Half XIX Century

Group of three majolica bowls. On the brim polychrome decoration with geometric pattern; at the bottom of the bird cave there is a typical decoration of the manufacture.

Oil painting on canvas. Italian school of the 17th-18th centuries. A large composition of colorful flowers, in embossed metal vases, and some fruits scattered on the ground, are placed close to a wall overlooking a maritime landscape: the brightness of the sky and sea on the right contrasts with the shaded area on the left, on which the colors of the flowers stand out. The painting, relined and restored, has a significant crack. It is presented in a contemporary lacquered and gilded frame.

Central Italy XVIII Century

White majolica cachepot in the shape of an upturned helmet.

89 x 59 In

Gasny wool carpet, large knot; manual manufacturing. Very good condition.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.

Large wall mirror with console, mirrored glass supported by a wooden frame, light blue mirrored glass frame with decorations and small glass flowers.