Carved Chair

Carved chair with classic Greek motifs from the late 19th century. Made of mountain-style beech wood, it features simple floral carvings and classic Greek motifs across the entire surface.

Europe, Early XX Century

Hand-painted ceramic wall planter with a blue floral motif. Unidentified brand on the back.

Germany, XX Century

Dinnerware set for 12 people in white porcelain with decorations of bunches of flowers in shades of pink and in relief along the brim with leafy scrolls and plant motifs. Service composed of: 1 soup tureen, 24 dinner plates, 12 soup plates, 12 dessert plates, 4 trays, 1 gravy boat, 5 serving plates. Manufacturer's mark under the bases.

Wall mirror in mirrored glass and anodized aluminum frame. It has a small chip on the glass.

UK Size 14

Tailored shirt in pure ivory white silk with lace bodice and sleeves. Fits size 46 (length 58 cm, shoulders 39 cm, waist 100 cm).

Italy, Mid XX Century

Jewellery box in chiseled silver supported by four feet. Interior in purple velvet. Silver hallmarks engraved on the inside edge. Silversmith's hallmark not legible. Approximately 230 grams.

Hat signed Pierre Cardin dating back to the 70s. It is in black felt enriched by a satin belt of the same color, the brim is 12 centimeters wide and the internal circumference 54 centimeters.

Vintage glasses frame signed Miu Miu in plastic material with shades from transparent to cream white. Oversized model, measurements: 14 centimeters temple and 58 millimeters lenses.

Italy, XX Century

Pair of lanterns with sheet metal structure and glass sides; they have three lights.

Italy, XX Century

Large wardrobe in neo-Renaissance style, resting on feet carved with Ionic capitals and supported by a great basement, on the front it has a pair of central doors, with mirrors on the inside and two drawers, side doors that hide a tall chest of drawers. Entirely ebonized, it is decorated with grotesque carvings in neo-Renaissance style. Missing parts present.

Pair of 20th century Italian made wooden bedside tables with hinged door and drawer, top with back-treated glass.

110 x 51 In

Beluchi carpet in cotton and wool; big knot. Manual manufacturing.

Oil on canvas, applied on panel. Central Italian school of the 18th century. It depicts the evangelical episode in which Jesus welcomes the children to himself, urging his disciples not to push them away: "Let the children come to me, for theirs is the Kingdom of Heaven". The scene is full of figures that overlap and intertwine: in the foreground Jesus seated on the right, opens his arms in a sign of welcoming the children who approach him, urged by their mothers; in the background the disciples, with Peter recognizable in the center who tries to push a boy away, but their gaze is turned to Christ, who looks at them and urges them to welcome them. In the background of the scene some architecture appears, in particular the pyramid stands out which symbolically represents the tension, the ascent towards the top. The painting has an evident lack of canvas in the center, patched with the application of a wooden panel to the back. It has other small traces of widespread restoration. It is presented in a 19th century frame.

Female Portrait 1937

Oil on canvas. Trace of signature lower left, full signature on the back, with the date. Trained at the Tallone school, Moretti Foggia was mainly a landscape painter, who offers veristic views characterized by a very bright and material chromatic palette, mainly reproducing his native Val d'Ossola. But his production also includes several portraits, among which is the successful one of this elegant and smiling lady, portraits in which the influence of Cesare Tallone is evident, in the brush stroke and in the use of color, as well as in the attention to the female world. The painting is presented in a contemporary frame.

Table lamp with adjustable position arm in enamelled aluminium.

Italy, Early XX Century

Neo-Renaissance style table lamp with central light, Italy, early 20th century. Iron and sheet metal structure, frosted glass lampshade. Decorative apparatus composed of leaf elements, curls and a dragon placed on the stem.

Landscape with Figures

Mixed media on cardboard. Signed lower left. Stamp of the artist's studio on the back. The painter of Apulian origins Giuseppe Casciaro, painter and teacher at the Institute of Fine Arts in Naples where he trained, was essentially a landscape painter and produced in particular views of the surroundings of Naples, Irpinia (Nusco) and Puglia. He preferred the pastel painting technique in which he excelled. Here is a glimpse of a Mediterranean countryside, crossed by a path with wayfarers. It is presented in a period frame.

Tuscany, Late XIX Century

Restoration bedside table in mahogany veneer, Tuscany, second quarter of the 19th century. White marble top, front with door and two drawers, the first of which juts out, uprights with ebonized round columns decorated with carved and gilded capitals; turned front feet also ebonized and embellished with gilded leaf carving. Poplar interior.

Large ceiling lamp, in Murano glass.