Bench; jacaranda veneer wood, brass foil, foam cushion, fabric cover.

Europe, Early XX Century

File cabinet in walnut wood and walnut root. On the front, double door opening and drawer with perforated brass handle. Inside compartments for documents and date display.

UK Size 14

Yellow cotton skirt with white polka dots characterized by flounces trimmed with blue ribbon with white polka dots. the line is tailored with a rear zip. Fits Italian size 46 (length 93 cm, waistline 80 cm).

Bookcase with containers with hinged doors, drawers and flap. mahogany veneered wood with polyester finish, lacquered flap door.

Italy, XX Century

Neo-Renaissance style coffee table with padded top covered in skai fabric fixed with studs, 20th century Italy. Lower section with Greek baccellata and carved feral feet. Structure in poplar and fir.

Table lamp with base in marble, aluminum and glass.

Service trolley, walnut-stained veneered wood.

Pair of table lamps with marble, aluminum and glass base.

Untitled 1930

Ink on paper. Signature and date below. Accompanied by authentication on photo from Galleria Giò Marconi in Milan and stamp from private archive. It is the drawing of the young artist who soon became one of the most important exponents of world surrealism, who was a poet and painter, but also a filmmaker, art and film critic, photographer and humorous designer. Born in the north of France, in 1927 he settled in Paris, where he came into contact with a group of young poets and philosophers, with whom he founded the '' Grand Jeu '' movement: play is understood as an art of living. Since 1928 he has collaborated with texts, poems and drawings for the movement's magazine and in the meantime he collaborates as an editor and reporter with various Parisian newspapers.In 1932, having exhausted the experience of the `` Grand Jeu '', he passes to the surrealist movement, collaborating on its publications and participating in its exhibitions. His humor turns towards the unusual and cruelty, more and more derisive of the absurdity of everyday life, of the tragic side of common existence, to which the spirit and the unconscious rebel, trying to access the unobservable. Knows Salvador Dalí. In 1939 he also began his activity as a filmmaker. In 1941 his first personal exhibition took place in Paris: the first buyer was Pablo Picasso. Participate in all surrealist exhibitions, including the 1947 international one in Paris. In 1951, for reasons relating to the internal discipline of the group, he abandoned the surrealist movement with others, while continuing to practice its poetics. In 1955 he also became passionate about photography. Since 1968 he has devoted himself almost exclusively to painting, abandoning the activity of humorous draftsman. In the same year he settled permanently in Milan: in Italy he exhibited in various personal exhibitions, those in Milan at the Galleria Marconi. The work presented here, an early drawing, comes from an important Milanese private collection. It is presented in a frame.

Central Italy, Late XVIII Century

Neoclassical dresser supported by truncated pyramid legs with brass feet, on the front it has two drawers. Veneered in cherry, it is decorated on the front with baroque-style inlays; poplar interior.

19th Century / 1801 - 1900

Crucified Christ in finely carved boxwood mounted on a panel covered in yellow fabric.

Italy Late 20th century

Silver teapot. Under the base, the brand of silver and of the incusso manufacture. 886 grams.

Philosopher

Oil on cardboard. Signed lower right. Coming from a private collection in Pavia. The painting proposes a subject taken up several times by Primo Carena, both with groups of several characters inserted in a landscape, and with a solitary figure as appears in this painting, which belongs to the production of the 1950s. The man on the beach, in the seated pose leaning with his elbow on a marble capital, and in the cloth resting on his legs, recalls the elderly character sitting in a work by De Chirico, the Salute to the Argonauts, and well underlies the reference to painting metaphysics that the painter from Pavia wanted to express in his figure paintings of the 1950s and 1960s. The work is presented in a frame.

Ceiling lamp with adjustable diffusers, chromed metal.

Bookcase unit with sliding glass doors and storage compartment with sliding doors in oak veneered wood.

Pure silk tie, single color, brown background with repetition of YSL logo.

Ceiling lamp in nickel-plated aluminum and white glass.

Winter white cream cress with bustier and wristbands decorated with gold and silver beads and sequins. 1970s flared model still actual. ( shoulders 40cm, waist 80 cm, lenght 104 cm)